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SamplesBy Silke Tudor, Billy JamPublished on April 24, 1996Taking a Break "People just don't want to come to the Haight to see live shows anymore," he continues. "Parking is a nightmare, you have to battle all the homeless people." Maybe so, but as Fast Mike, who booked Nightbreak Monday through Wednesday, points out, the neighboring Boomerang is faring better than ever. And Mike's more punk-oriented shows were making money -- "sometimes more than the weekend shows." Although the two bookers had their quibbles, Olier says, "I have nothing against punk rock -- if it's good. But the caliber of artists frequenting the nights I didn't book made it increasingly difficult for me to get notable talent. Artists didn't want to share a marquee with bands whose fan base consists of seventh- and eighth-graders from Walnut Creek. Customers stopped coming." "It was mismanagement," counters Fast Mike. "The owner [Ken Nakamura, who was unavailable for comment] wanted the Nightbreak to be a homey place where you could take people after dinner, but that's just not the type of club it is." Was. Mall Rats By Silke Tudor, Billy Jam
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