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Night+DayBy Heather WisnerPublished on December 25, 1996wednesday thursday Why the Chicken Crossed the Road The critics loved her in New York, where her solo show about her show-biz dad, A Line Around the Block, enjoyed an extended run at the Joseph Papp Public Theater this spring. Now, comedian Marga Gomez returns home to the warm embrace of the Bay Area, where she'll unveil a raunchy new stand-up show she tested at New York's Performance Space 122 this fall: Joking the Chicken. Although she's already logged plenty of screen time with stand-up spots on cable and roles in the independent film Miss Clairol and HBO's Tracy Takes On, locals are advised to catch Gomez live while they can, before she makes good on her threat to move to L.A. and get breast implants. Joking the Chicken opens at 8 p.m. (and runs through Jan. 5, 1997) at Josie's Cabaret & Juice Joint, 3583 16th St., S.F. Admission is $12 ($20 on New Year's Eve); call 861-7933. Jazzed Having witnessed Dizzy Gillespie, Miles Davis, Charlie Parker, and Lionel Hampton perform live is one thing, but having performed along with all of them is quite another, and the ranks of jazz artists who can make that claim are sadly diminished. Jazz vocalist Betty Carter is still with us, though, and her career, launched after she joined Hampton's band at the age of 18, is rich in lore. When she plays the East Bay, Carter will be accompanied by one of her proteges, the young pianist Jacky Terrason, as well as Bobby Hutcherson, a vibraphonist taking up where Hampton left off. Find out why Carter has been named female jazz singer of the year four times running in Down Beat's annual critics poll. The Betty Carter-Bobby Hutcherson All-Stars play at 8 and 10 p.m. (through Tuesday; one show only at 9 p.m. on New Year's Eve) at Yoshi's Nitespot, 6030 Claremont, Oakland. Admission is $18-22 ($60 on New Year's); call (510) 652-9200. Forever All Over Again It may take two to tango, but it took a crowd-pleasing blend of rhythmic Latin music and sultry, sharply executed tango technique to get Forever Tango consistently extended over the last two years. Luis Bravo's production has just returned from international touring to give local fans another look. The product of African cultural influence and Latin male machismo in a booming 1920s Argentina, tango is typically a favorite among ballroom dance audiences for its sexual overtones, dominant-submissive dynamics, and dramatic delivery. The show reopens at 3 and 8 p.m. (and continues through Jan. 4, 1997) at the Herbst Theater, 401 Van Ness, S.F. Admission is $19-45; call 392-4400. friday
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