From Hong Kong to Hollywood

A conversation with John Woo

That kind of happening really excites me. And that's what I usually do. It's really the same thing I did in Hong Kong with Chow Yun-Fat and Tony Leung. That's why this movie really touches a lot of the audience -- because some of the moments were so real, and not as black and white as in the script.

Klein: Your more rabid fans may still expect your Hollywood films to be exactly like your Hong Kong films -- even down to Chow Yun-Fat flying through the air with both guns blazing. But you've done a lot of things in your career. Would you have continued making the same kinds of films if you had stayed in Hong Kong?

Woo: I don't think I would have done too many more. I probably would have done a couple, but I always want to change and try something else. I love that the fans are so much supportive and so appreciative of my style, and, whether in Hong Kong or here, I would always keep my own style. But not always the same topics. It depends on my mood and how I feel about the world and the society.

That's why I suggested Face/Off focus more on the human stuff: That just matched how I felt. Like the year I made Bullet in the Head [a heartfelt blood bath from 1990], it was just after the Tiananmen Square massacre. And the year I made A Better Tomorrow [the high-grossing 1986 film that created the "heroic bloodshed" genre], I was just so down at the time: I had failed for three years before that movie. So I wanted to do a movie about man's real dignity and honor.

Klein: How does Face/Off reflect your mood?
Woo: Face/Off mainly was about family -- where a man sees his family almost falling apart and he fights to get them back. It was almost exactly how I felt at this time. Because, before I came here, about five years ago, I was working like crazy; me and my family had been separated a long time, and I had a lot of family problems. My children hardly saw me every day, so they were beginning to hate me. I was getting nervous, because my family is my whole thing. That was one of the reasons I wanted to move here. After I moved here, things were back to normal, because people don't work on the weekends, and we live pretty far from the city, and after work I could have a lot more time to spend with my family. So we got to talk more and ... have a reunion. We can get together again. We're a lot more happy than in Hong Kong. That makes me feel so great.

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Box Office

  1. Man of Steel, 113.1 mil, 125.1 mil
  2. This Is The End, 20.5 mil, 32.8 mil
  3. Now You See Me, 10.3 mil, 80.0 mil
  4. Fast & Furious 6, 9.4 mil, 219.6 mil
  5. The Purge, 8.2 mil, 51.8 mil
  6. The Internship, 7.0 mil, 31.0 mil
  7. Epic, 6.0 mil, 95.4 mil
  8. Star Trek Into Darkness, 5.7 mil, 210.5 mil
  9. After Earth, 3.8 mil, 54.2 mil
  10. Iron Man 3, 2.9 mil, 399.6 mil
Movie Title, Weekly Earnings, Total Earnings
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