Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Zoom Lens

Share

  • rss

By Gregg Rickman

Published on November 05, 1997

Up/Down/Fragile
In the charming Up/Down/Fragile, made in 1994 but premiering here only now, Jacques Rivette, the quietest and least-known of the original French New Wave cineastes, advances smartly on his substantial earlier work. Now in his early 70s, Rivette is best-known for the sometimes playful, sometimes fearful paranoia in works ranging from Paris Belongs to Us (1959) and The Nun (1966) through to the madly whimsical Celine and Julie Go Boating (1972). Little of Rivette's work since has been seen here; the ongoing Pacific Film Archive tribute provides a splendid opportunity for viewers to catch up with this most elusive of auteurs. Rivette centers again and again on young and beautiful women caught up in mystery; here, the three women whose lives interact are a petty thief on the run, an unhappy orphan unsure of her identity, and a fragile woman just out of a coma, feeling her way back into life. Their overlapping crises provide a splendid pretext for a leisurely (169-minute) work of gentle character observation, shot mostly outdoors on the back streets of Paris and in a nightclub that gives the cast ample room to swing and sway. And sing -- an hour into its story, amazingly, Up/Down/Fragile transforms itself into a musical. Nathalie Richard's thief in particular takes melodic wing as she bops around the dance floor. Nouvelle vague goddess Anna Karina is also on hand, singing, with most of the cast also taking turns croaking out a tune or passing off their stylized walking and posing as choreography. Somehow it all works, sustained by the director's evident love for both his characters and the old movies the film draws on. While Up/Down/Fragile might be a cross between the "comedies and proverbs" of Rivette's New Wave compatriot Eric Rohmer and the stylized musicales of the late Jacques Demy, it sustains a long-distance lyricism that is peculiarly Rivette's own.

-- Gregg Rickman

Up/Down/Fragile screens Friday and Saturday, Nov. 7 & 8, at 7 p.m. at the Pacific Film Archive, 2625 Durant (at College) in Berkeley. Tickets are $5.50; call (510) 642-1124.