Building the Perfect Beast

As the movie industry contemplates a new age of computer-generated features, Berkeley's Phil Tippett fights to keep the art of special effects honest, messy, and true

Tippett abhors any novelty, digital or otherwise, for its own sake. When he's viscerally engaged, he feels he taps into his (and perhaps the collective) unconscious -- images and feelings that exist in millennial man's psyche but could also be seen at the dawn of art: "You want something possibly magical or deeply mythological to emerge, and the skills and level of imagination you're using go back to the Lascaux Caves.

« Previous Page
 |
 
1
 
2
 
3
 
4
 
5
 
6
 
7
 
All
 
My Voice Nation Help
0 comments
 

Around The Web

©2014 SF Weekly, LP, All rights reserved.
Loading...