By Ian S. Port
By Tony Ware
By Emma Silvers
By Gary Moskowitz
By Alee Karim
By Ian S. Port
By Ian S. Port
By Derek Opperman
The problem with being a karaoke groupie is that between the tunes that make you swoon, like "Smoke Gets in Your Eyes," are a whole slew of crappy, happy sing-alongs like "Summer Lovin'." For the tear-in-your-beer lover, there is no karaoke quite like Hank Williams Karaoke. This ninth annual birthday tribute includes live musical backing by the Rounders and songbooks with nothing but lyrics from country's greatest, most tragic songwriter (OK, he had some peppy numbers, too). But only faulty tonsils will fill your melancholy eye at the Hank Williams Sr. 76th birthday tribute held at the Elbo Room on Wednesday, Sept. 15, at 9:30 p.m. Tickets are $5; call 552-7788.
For many of us, the war against Kuwait was our initial firsthand exposure to war propaganda -- you remember the three-dimensional television logos and snappy news-speak that made the conflict look and sound about as serious as WWF matches -- but war propaganda has a long, visually arresting history. "The War Room" is a multimedia exhibition that compiles stylish recruitment posters, aerial propaganda leaflets from the 4th PSYOPS Unit of the U.S. Army's Special Forces Division, and broadcast media coverage of various wars. The collection includes propaganda both for and against war, and, not surprisingly, the psychological tactics are nearly identical. Critical viewing should be brought to the opening of "The War Room" at Intersection for the Arts Wednesday, Sept. 15, at 6 p.m. Admission is free; call 626-2787.
For the fourth installment of Blasthaus' mixed tech-media series, "Electromechanik" presents three international masters of "plunderphonia" (recontextualization of found sounds and images). Hailing from the U.K., People Like Us (Vicki Bennett) does the dada shuffle with intercepted radio broadcasts, easy listening, and Alpine yodeling. Her work has been featured on Radio 100, BBC, Holland's VPRO, and Negativland's "Over the Edge" program, and on more than 25 CDs and records. The Bay Area's Jet Black Hair People (Peter Conheim) ravages the reasonable narratives of educational films, public service announcements, and religious proclamations for his own nefarious purposes. He is a founding member of the all-projector trio Web Gate and spy-fi purveyors Mono Pause; he is also a member of the found-sound troupe Negativland. San Francisco's Wobbly (Jon Leidecker) abuses vinyl, tape loops, and other found sounds while glazing the finish with live piano and keyboards. He is the primary content provider for Gerneal Injectables and Signals Inc. Together, these three artists recently released People Like Us Meet the Jet Black Hair People ... In Concert!, a brilliantly funny collage of spy tunes, Euro-disco, black metal, superfly funk, barroom vomiting, and demented soundbites from career heroin addicts who intone, "I looked at my skin and it looked like that of a turkey," and concerned Jesus freaks who haltingly read, "The world around us is a three-ring circus of destruction." Contributing to the live montage will be Phosphene, an audio-visual collective from Vancouver specializing in 16mm and Super 8. The b.o.l.t. lounge will also be in full effect with dead media like reel projectors, Pong, and View-Master at the Justice League on Thursday, Sept. 16, at 9 p.m. Tickets are $8; call 789-7690.
Fresh New England clams and lobsters will be flown to the Bay Area just in time for the annual New England Clambake, which includes lots of cool sand, cold microbrews, steaming seafood, and red-hot New Orleans funk by Zigaboo Modeliste & the New Aahkestra, John Mooney & Bluesiana, 008, and Minus Linus. Bring your bikini and your Mardi Gras beads to McNears Beach in San Rafael on Saturday, Sept. 18, from noon to 8 p.m. Tickets are $12-40; call (530) 876-9024.
Not many people realize that the legend of beach bongo comes from sunny Oakland, not sunny Southern California. That's right, Preston Epps, the creator of the Top 40 hit "Bongo Rock," as well as "Bongo Bongo Bongo" and "Surfin' Bongos," is our own native son and one of the originators of the crazy beat bongo beat. For a rare appearance on his bayside shores, Epps will perform at "Planet Tiki," a night that includes the 20-woman synchronized dance troupe the Devil-Ettes, the fire-eating Molotov Malcontent, the humorous King Kulukele & the Freaky Tikis, the exotica combo Fisherman, saw player Sudsey, and exotica/beach party music from "Bardot A Go Go," "Leisure Lounge," and Gearhead magazine publisher Mike Lavella. Tiki art, Polynesian drinks, exotica silk-screens, and sand will enhance the beach party atmosphere at "Planet Tiki" held at the International Center on Saturday, Sept. 18, at 8 p.m. Tickets are $12-15; call 979-3031. In conjunction, Yerba Buena Center for the Arts will be presenting an exotica film festival on Wednesday, Friday, and Saturday, Sept. 15, 17, and 18. See Night + Day, Page 28, for details, or call 978-ARTS.
Armed with an old hearse, a bunch of homemade pyrotechnics (amazing what you can do with gunpowder and a bunch of tuna fish cans), and an unquenchable zest for harmless irony, the Kiss-Offsapply garage guitar, Casio keyboards, and smug new-wave guy-girl anti- harmonies to the important themes of cowboys, dating, saints, kidney thieves, and the holy Kiss-Off trinity (Eskimo, butterfly, and French). The Kiss-Offs perform at the Purple Onion on Saturday, Sept. 18, at 9 p.m. Tickets are $5; call 398-8415.