Pinback with Mates of State and Jim Yoshii Pile-Up
Bottom of the Hill, 1233 17th St. (at Missouri), S.F.
Friday, Dec. 29, at 10 p.m. Tickets are $8 in advance and $10 at the door; call 621-4455.
Sample of Pinback's "Tripoli," from the CD Pinback. Click the "play" icon in the control console below.
After Heavy Vegetable, the first new act he formed was Thingy, a quartet that included ex-Vegetable Elea Tenuta on vocals and retained much of the stop/start noise, pretty harmonic vocals, and low-rent lifestyle lyrics of their previous group. Then came Optiganally Yours, in which Crow and Pete Hix wrote songs around the Optigan, a chord organ that Mattel made in the early '70s. The instrument, which also appeared on albums by Tom Waits, Devo, and Elvis Costello, simulated a low-budget sampler, playing scratchy waltzes and loungy cha-chas at the press of a finger. In Optiganally Yours, Crow's lyrics and vocals took on a touch of the macabre, as if he were ringmaster at some freak-show carnival.
Pinback, Crow's collaboration with ex-Three Mile Pilot bassist Armistead Burwell Smith IV, is his most recent group, and it's the furthest away from the axe-grinding irreverence of his early work. The duo's songs are decidedly low-key affairs, built around minimal drum machine beats, slithery bass lines, and clean, repetitive guitar riffs. What's most unusual about Pinback is how the members configure their vocals, often juxtaposing two different sets of lyrics -- one detailing images of vague dread and the other repeating nonsense syllables like "da da da" -- so that the songs are full of both darkness and light. It's a neat trick, using a pretty veneer to disguise the pain and sadness lurking below the surface of the songs. No wonder Pinback named itself after those novelty buttons that look colorful on one side and have a sharp, gray point on the other.