Watching Porn

This playwright's got balls, and it shows

Paul Mendoza's got balls. He not only writes a play about the taboo topic of pornography and how it affects a man's relationship with women, but he takes a seemingly X-rated topic and fashions it into a story that's at once familiar and embarrassing. While most confessional theater tends to be masturbatory, Mendoza (who also directs) manages some intriguing insight and staging that bring this production to the next level.

Details

Through April 21. Tickets are $15; call 359-0880.
Phoenix II Theater, 655 Geary (near Leavenworth), S.F.

Related Content

More About

Like this Story?

Sign up for the Artopia Newsletter: Keeping the pulse of SF's unique cultural experiences this highlights all things Art. Whether Performance, Fashion, Design, or more, this is your one stop shop. Get info on upcoming shows, events, promotions, giveaways & much more. Coming soon.

Privacy Policy

In the play, Richard "I'm a pornoholic" Montoya (Matt Chavez) just broke up with his girlfriend of four years, and he's guilt-ridden about his addiction. The script leaves little mystery as to the source: His older brother (played by Mendoza) exposed him to sexy photos when he was 4, and his current friend Mark (Milo Young), a confessed womanizer, spouts gross generalizations ("Women are sex objects and they know it"). The play gets more complex with the arrival of Jacquelyn (Gwen Lindsay), whom Richard tries unsuccessfully to pick up in a bar, but who later arrives at his apartment as the escort he called for. Chavez finds Richard's depth, transitioning from a sympathetic and surprisingly self-aware narrator to a closed-off, defensive man in the presence of a live female. Lindsay plays Jacquelyn's potentially stereotypical "call girl with a heart of gold" with the right mix of believable sexuality and honesty. The characters avoid flat stereotypes due in part to Mendoza's quick scene transitions. In one particularly well-crafted moment, Richard partakes of Jacqueline's services, then the action jumps to a scene with his older brother showing him magazines and warning him not to tell their mom or dad, which reinforces Richard's cycle of guilt. Unfortunately, it's a cycle that remains unsatisfyingly continuous, leaving us to wonder if we're merely voyeurs, asking -- as Richard does -- "How close can we get?"

 
 
for free stuff, theater info & more!
Browse Voice Nation
  • Voice Places

    Voice Places

    Discover restaurants, nightlife, travel, shopping...

  • VOICE Daily Deals

    VOICE Daily Deals

    Get 50 to 90% off every day on restaurants, movies, massages...

  • Best Of

    Best Of...

    More than 10,000 of the BEST things to eat, drink, and experience

  • My Voice Nation

    My Voice Nation

    Join the Village Voice community and get exclusive deals and info

  • Happy Hour

    Happy Hour

    Your local Happy Hour guide at your fingertips

or

Log in or Sign up

Social Connect:

Use your favorite account to access My Voice Nation.


Use your My Voice Nation account to log in:





Forgot password?
or

Sign Up or Log in

Social Connect:

Sign up for My Voice Nation with your preferred network.


Sign up for a My Voice Nation account:



Privacy policy