Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Hear This

Belle & Sebastian

Share

  • rss

By Dan Strachota

Published on September 05, 2001

Few things in life live up to expectations. Most events are built up so much that the reality can't possibly match the anticipation. (Et tu, George Lucas?) Occasionally, however, a happening surpasses all hopes. Remember your first kiss, how the feeling of lip against lip shot lightning bolts across your cerebellum, how your whole body buzzed like a plague of bees, how you thought you might faint if it weren't for the fact that everyone would laugh at you the next day at school? That (meta)physical experience is what Belle & Sebastian's upcoming shows promise.

OK, maybe a swarm of bees won't visit your pulmonary artery when the Scottish group plays its first Bay Area shows this weekend. In fact, these performances have all the makings of a classic letdown: massive hype, five years of anticipation, a sound that's more pretty than rapturous, and a fan base happy to sit on the floor and whisper along with the lyrics. But consider this: Belle leader Stuart Murdoch is one of the pre-eminent songwriters of his generation, a man whose words -- whether he likes it or not -- register with the shy, frail, and nerdy like no one's since Morrissey's. And while his recent verbiage avoids his early subjects of group baths, wet dreams, and suicides, he still sings in a voice that glides over tragedy and tremor like a knife through warm glaze.

Adding to the band's potential are the arching cello of Sarah Martin, the supple organ of Chris Geddes, the dexterity of drummer Richard Colburn, the Jean Seberg haircut of Isobel Campbell, the horn playing of Mick Cooke, and the rippling guitar of Stevie Jackson. Throw in some handclaps, a few Velvet-y jaunts, and the desire to show Americans that a revolution can be fought with flowers, and voilà -- pure pop ecstasy, without the nasty serotonin depletion.

Some worriers might suggest that you try to expect the worst, so you'll never be disappointed. Pish posh. High expectations mean higher payoffs. Besides, who wants to go through life expecting liverwurst when you can fantasize about foie gras?