As for Bogdanovich's boyhood inspiration and early career mentor, Orson Welles, the tragic story of how the "evil wizard" reduced that boy wonder's career to a shambles in the years after Citizen Kane is one that Bogdanovich can relate in minute detail. The irony of Bogdanovich taking his own shot at William Randolph Hearst in 2002 is almost too rich to digest. Little wonder that this entertaining but ineffably sad rehash of the old Hollywood excesses and the ancient corruptions of power ends with the ancient pop tune "After You've Gone" warbling away. It sounds less like vengeance than sorrow.
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