Commentary by Gregg Rickman (firstname.lastname@example.org).
Times compiled from information available Tuesday; it's always advisable to call for confirmation. Price given is standard adult admission; discounts often apply for students, seniors, and members. For additional Reps Etc. listings, go to sfweekly.com.
We're interested in your film or video event. Please send materials at least two weeks in advance to: Film Editor, SF Weekly, 185 Berry, Suite 3800, San Francisco, CA 94107.
345 Bush (at Polk), 775-7755, www.afsf.com. French-language films shown on projected video. $5 donation.
WEDNESDAY (July 17): A Catherine Deneuve series continues with Francois Truffaut's The Last Metro (1980), with Gerard Depardieu in this Occupation-set melodrama 7 p.m.
SATURDAY (July 20): The Last Metro 2 p.m.
ARTISTS' TELEVISION ACCESS
992 Valencia (at 21st Street), 824-3890, www.atasite.org. $5 save as noted. This venue offers all manner of strange and unusual video and film.
THURSDAY (July 18): Hot Pink screens "films and videos by queer women" including the "journey to success and self-acceptance" Tomboy (Donna Carter, 1997), the "erotic short drama" Sabor a Mi (Claudia Morgado Escanilla, 1997), and Pump (Abigail Severance, 1999), about a woman who discovers that not only has her girlfriend done her wrong, her red hair is from a bottle. Plus more, including live music by the junes. For more info see www.lesbianarts.org 7:30 p.m.
FRIDAY (July 19): From Eugene, Ore., "Green Anarchy Film Night" screens documentaries of eco-resistance. For more info, see www.greenanarchy.org/tour/index 8 p.m.
SATURDAY (July 20): The ATA's monthly "Open Screening" -- $3; free for artistes. BYO video by 7 p.m., screenings at 8 p.m.
3010 Geary (at Blake), 751-3213, www.peacheschrist.com for this series. This popular little theater offers, in addition to its regular screenings (see Showtimes for listings), a "Midnight Mass" every Saturday this summer. $8.
SATURDAY (July 20): The Bridge, built over an Inner Richmond cemetery, undergoes a ritual exorcism in the jollity surrounding the suburban ghost story Poltergeist (1983), nominally directed by Tobe Hooper and ghost-directed by Steven Spielberg midnight.
429 Castro (at Market), 621-6120, www.thecastrotheatre.com. $7 save as noted. Short-run rep in a spectacular 1922 Greco-Roman-themed palace designed by Timothy L. Pflueger. Evening intermissions feature David Hegarty or Bill McCoy on the Mighty Wurlitzer.
WEDNESDAY: Vittorio De Sica's neo-realist masterpiece of a cranky old man and his dog, Umberto D (Italy, 1952) 1, 3, 5, 7, 9 p.m.
THURSDAY: Castro owners California Central Theaters present an 80th-anniversary tribute to this cinema featuring live entertainment (banjos, singing, a saw player) and, appropriately, the Warner Bros. musical Footlight Parade (Lloyd Bacon, 1933) with James Cagney as a dynamic producer of live entertainment for movie theaters. $8. Live performance 7 p.m., film 9 p.m.
FRIDAY THROUGH WEDNESDAY (July 19-24): Conrad Rooks' adaption of Hermann Hesse's tale of spiritual enlightenment Siddhartha (1972), screening in a new print 7, 9:15 p.m.; also Sat, Sun, & Wed 2:15, 4:30 p.m.
FILM ARTS FOUNDATION
346 Ninth St. (between Folsom and Harrison), 552-8760, www.filmarts.org/exhibition/nowplaying.
FRIDAY (July 19): A "Work in Progress" screening of Luis Fernandez de la Reguera's Rockets Redglare, a documentary on the New York underground actor and personality, featuring Steve Buscemi and Jim Jarmusch, who worked with him. Q&A session follows. Free 7 p.m.
2534 Mission (between 21st and 22nd streets), 648-7600, www.foreigncinema.com. Free with meal. This restaurant screens foreign films, usually in 35mm, on the back wall of its outdoor patio, with drive-in speakers available for the tables of those who want to watch while they dine. Closed Mondays.
DAILY: Don't reveal the sensational secret of The Crying Game (Neil Jordan, U.K., 1992)! It's his sled! 8:30, 10:30 p.m.; also Fri & Sat midnight.
ISTITUTO ITALIANO DI CULTURA
425 Washington (at Battery), Suite 200, 788-7142, www.sfiic.org. Video screenings of Italian films.
TUESDAY (July 23): A detective story starring the director, Un maledetto imbroglio (Pietro Germi, 1959). No subtitles 6:30 p.m.
510 Larkin (at Turk), 820-3907, www.sfindie.com. This "Rock 'n' Roll DJ Bar" offers an "SF IndieFest MicroCinema." All screenings are followed by DJ music at 10 p.m. Free.
WEDNESDAY (July 17): Grimy, cold Minneapolis is the setting for Wendell Jo Anderson's With or Without You 8 p.m.
THURSDAY (July 18): It's catching! Karaoke Fever (Arthur Borman and Steve Danielson) 8 p.m.
FRIDAY (July 19): Shawn Durr's Fucked in the Face, a "gay serial killer slasher flick" 8 p.m.
1572 California (at Polk), 352-0810, www.landmarktheatres.com. This multiplex is only partly a "calendar house" rep theater; for the rest of the Lumiere schedule, see our Showtimes page. $8.75.
STARTS FRIDAY: The martial arts classic Master of the Flying Guillotine (Jimmy Wang Yu, Hong Kong, 1975) opens in a new print. Call for times.
PACIFIC FILM ARCHIVE
2575 Bancroft (at Bowditch), Berkeley, (510) 642-1124, www.bampfa.berkeley.edu. $7, second show $1.50. The East Bay mecca for film scholars, part of UC's Berkeley Art Museum, thrives at its on-campus location, up the steps on Bancroft between Telegraph Avenue and the Hearst Gym.
WEDNESDAY: A "Higher Education" series of college-based films screens Jack Arnold's Monster on the Campus (1958), about a rare fish that causes problems, in a program hosted by the Parkway's Will "The Thrill" Viharo, complete with trivia questions and prizes 7:30 p.m.
THURSDAY: A "Second Chance" series of PFA-screened films that were sold out or otherwise deserve another showing continues with So Dark the Night (Joseph H. Lewis, 1946; 7:30 p.m.), a moody detective tale set in rural France, and the late noir The Burglar (Paul Wendkos, 1957; 9 p.m.), with Dan Duryea and Jayne Mansfield as brother and sister. What gene pool is this?
FRIDAY: France's working-class hero Jean Gabin is honored with a screening of two of the lesser-known films he made with his two most celebrated directors -- La Marie du port (Marcel Carne, 1950; 7:30 p.m.) and Jean Renoir's fatalistic tale La Bête Humaine (1938; 9:15 p.m.), or the Popular Front meets Zola.