Various Artists

Watch How the People Dancing: Unity Sounds From the London Dancehall, 1986-1989

The Honest Jon's label -- launched by the U.K. record shop of the same name and co-owned by none other than Blur's Damon Albarn -- has built an eclectic roster over the course of its initial three releases. First came Albarn's Mali Music project, a set of rootsy collaborations with West African artists; release No. 2 was London Is the Place for Me, a collection of English calypso songs from the '50s. The imprint's latest CD, Watch How the People Dancing: Unity Sounds From the London Dancehall, 1986-1989, continues the label's excavation of Anglo-Caribbean hybrids, chronicling the recordings of Unity Sound System, which helped bring lo-fi minimalism to London's dancehall reggae scene.

Related Content

More About

Like this Story?

Sign up for the Music Newsletter: Keep your thumb on the local music scene with music features, additional online music listings and show picks. We'll also send special ticket offers and music promotions available only to our Music Newsletter subscribers.

Privacy Policy

Unity Sounds' entire repertoire owes its existence to just one single. King Jammy and Wayne Smith's 1986 tune "Sleng Teng" revolutionized reggae by rendering the familiar island music in the tinny vernacular of cheap keyboards and electronic drums. Every song here, produced in the crew's home studio, follows that classic track's lead: The Casio sits front and center, banging out simple two-chord rhythms over which obscure vocalists sing anthemic numbers like "Control the Dancehall" and "Ride the Rhythm."

To the uninitiated, the prospect of synthesized drums and preset riddims might sound antithetical to the bluesy fervor of Jamaican reggae, but what's remarkable about Unity Sounds' music is how soulful it is. The vocalists here deserve much of the credit for rendering passion so palpably. In sweet, swooping falsettos and sandpaper-throated low tones, they forge the simplest phrases into double-edged swords, evoking a strange combination of melancholy and joy. Errol Bellot's "What a Wonderful Feeling," for instance, wraps a man's delight in the sad, crackling harmonies of his lover's inexpressible agony. Even the instrumental versions of the vocal songs wring a spooky sorrow out of hollow analog chords and bare-bones drum patterns, suggesting -- as Selah Collins sings on "Pick a Sound" -- that soul is where you find it, whether it be in a chorus or a Casio.

 
 

Find a Concert

Browse Voice Nation
  • Voice Places

    Voice Places

    Discover restaurants, nightlife, travel, shopping...

  • VOICE Daily Deals

    VOICE Daily Deals

    Get 50 to 90% off every day on restaurants, movies, massages...

  • Best Of

    Best Of...

    More than 10,000 of the BEST things to eat, drink, and experience

  • My Voice Nation

    My Voice Nation

    Join the Village Voice community and get exclusive deals and info

  • Happy Hour

    Happy Hour

    Your local Happy Hour guide at your fingertips

or

Log in or Sign up

Social Connect:

Use your favorite account to access My Voice Nation.


Use your My Voice Nation account to log in:





Forgot password?
or

Sign Up or Log in

Social Connect:

Sign up for My Voice Nation with your preferred network.


Sign up for a My Voice Nation account:



Privacy policy