Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Best Use of Corporate Radio

Wobbly's Wild Why

Share

  • rss

Published on May 14, 2003

Wobbly's Wild Why CD (out on local label Tigerbeat6, www.tigerbeat6.com) should be required listening at the FCC. An absurdist state-of-the-airwaves address, the album celebrates the creative power of theft, even as it pokes fun at the soggy condition of corporate radio. To make the disc, Wobbly -- aka Jon Leidecker -- spent three years trolling local hip hop stations for beats and boasts, which he then painstakingly melted down into a mess of gurgles, static, and nonsensical phrases. Jiggy drumbeats turn into whip cracks, like punishment for unrepentant supporters of the status quo. Wobbly clear-cuts Timbaland, turns Swizz Beats to Swiss cheese, and knocks the Neptunes clear out of orbit. If you don't want to bother with purchasing Wild Why, Leidecker frequently re-creates the project in real time on public radio, sucking up a stream of shout-outs and quavering vocals and spitting it back in the form of radically de-centered pop music. Post-Apocalyptic or just post-monopolistic? You be the judge.