Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • Broward-Palm Beach New Times

    Freeze Frame

    A visit to the strange and wonderful world of Vanilla Ice.

    By Michael J. Mooney

  • Miami New Times

    Young Blood

    As the Supreme Court considers whether to ban life sentences for juveniles, it should remember the evil deeds of Dewayne Pinacle.

    By Tim Elfrink

  • Riverfront Times

    Cannonball Re-Run

    A screwball crew of gearheads retool outlaw cross-country car racing.

    By Nicholas Phillips

  • Houston Press

    The Idiot's Guide to Smoking Pot

    Lesson one: Do not eat your weed in front of a cop.

    By John Nova Lomax

Panjabi MC

Beware

Share

  • rss

By Justin Hampton

Published on July 30, 2003

George Harrison may be dead, but Americans can't help but turn their heads, as he did, toward India for spiritual and artistic inspiration. While Madonna attends self-help seminars with Deepak Chopra, city-dwelling hipsters rent Bollywood features, and it all plays nicely into the hands of Rajinder Rai, aka Panjabi MC. After all, when Jay-Z hears an artist's track at a Swiss nightclub (in Rai's case, his infectious "Mundian to Bach Ke") and decides to rhyme over top of it for a revamped version, that artist has a chance for the big payoff. And while no track on Beware, Panjabi MC's big introduction to the U.S. market, is as immediately catchy as the Jay-Z collaboration, "Beware of the Boys," it shows that Rai has what it takes to compete in the global 'hood.

Not surprisingly, "Beware" (the title is shortened on the album) sets the tone throughout: The instrumentation and Eastern harmonics of bhangra -- the traditional Indian music popular in the dance-music community of Coventry, England, from which Rai hails -- are combined with Western jeep beats and rhyming from a host of obscure MCs. Oddly enough for a person who calls himself an MC, Rai sings instead of rhymes on the record. He even includes more traditional Indian folk numbers like "Ghalla Gurian" to give the pop-hungry tourists a taste of his music's broader cultural context. Nevertheless, the album has a blatant commercial sheen, even with the dhols and the foreign-language libretto intact. But Rai himself is an impassioned singer, and makes himself immediately at home in these newfangled settings, making sure his appeal loses nothing in the translation. Of course, the U.S. streets will have the final say as to whether Panjabi MC is a one-hit wonder or India's first ambassador of hip hop.