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He stops suddenly, as if embarrassed. "You'll hear better music from David [Wessel] and others," he says, tucking the guitar back into its case.
But Freed is shortchanging himself. He may not be an accomplished musician, but unlike many people, he can hear the depth of sonic potential; he's privy to the sounds that exist on the technological fringes. He's not a composer, but the new digital guitar is his masterpiece.
"It's just exciting to be surrounded by the possibilities of sound," he says.