By Molly Gore
By Lou Bustamante
By Anna Roth
By Anna Roth
By Anna Roth
By Anna Roth
I've never been to Greece, though I made a concerted effort one year when I was 16 and applied to a drama school in Delphi for a summer session. I think I was attracted as much to an imagined landscape of a brilliant white, rocky seacoast and bright blue crystalline sea as I was to the idea of learning about stagecraft at the source -- and I didn't know much about Greek food then, either. My parents had spent an adventurous six weeks Greek island-hopping, taking boats from port to port as the spirit moved them, and I did savor their stories of charcoal-broiled lamb (my father's favorite meat) and fish pulled from the sea and grilled with a slick of olive oil (the province of my mother). Olive trees figured heavily in my mental picture of the country, with bent-over, black-clad crones leading donkeys on paths under the gray-green trees laden with fruit. I thought the olives would be black.
World events intervened, and I never got to go to that school in Delphi; I think my father was somewhat relieved, because the first sentence I had learned to speak in my Greek language extension course was, "I like to swim in the moonlight." I spent most of that summer on a small island off the coast of Yugoslavia, where the water was indeed bright blue and so crystalline that I could look down to depths unseen by me before or since. I ate, happily, raznici (grilled pork), cevapcici (fresh pork sausages), grilled fresh fish, vats of tomato-and-onion salad, and the wonderful gnocchi made by my hostess, who was rightly proud of her Italian cooking skills. The olives on the gnarled, gray-green trees were green themselves, as was the delicious olive oil made from them.
As a result, my knowledge of Greek cooking has come from myriad little Greek restaurants, mostly in New York (where once upon a time every coffee shop was owned by Greeks and featured moussaka and tzatziki along with burgers and fries) and London (where, in an otherwise unmemorable spot, a college roommate and I once had a dish of yogurt with honey so sublime that she, never a gourmand, still speaks of it in hallowed tones), and mostly inexpensive (not to say dirt cheap). Until fairly recently, I didn't expect brilliant cooking in Greek restaurants. In New York, there was an anomaly in the mid-'80s, a superb and ambitious spot called Periyali, and later a rash of fresh-fish-weighed-by-the-pound-and-grilled-at-astonishing-prices places, inspired by a famous Montreal restaurateur named Milos (who recently turned down an offer to join Thomas Keller, Charlie Trotter, and Gray Kunz at the Time Warner Center in favor of opening an outpost in Athens).
San Francisco, CA 94111
Fried smelts $6.50
Roasted quails $22.95
Grilled lamb chops $27.95
Roasted halibut $21.95
Homemade yogurt $8
Open for lunch Monday through Friday from 11:30 a.m. to 2:30 p.m. Bar menu Monday through Friday from 2:30 to 5:30 p.m. Open for dinner Monday through Thursday from 5:30 to 10 p.m., Friday until 11 p.m., Saturday from 5 to 11 p.m. Closed Sunday.
Parking: difficult during day, easier at night, valet $8
Muni: 1, 10, 12
Noise level: high
More than once my friend Robert has raved about Kokkari, a fancy and pricey Greek restaurant near the San Francisco waterfront. He described one of his favorite dishes there, fried smelts, with such poetic fervor that I had to try it.
I don't know quite what I expected the place to look like -- I guess I had some romantic, slightly raffish image in mind (Robert had said it was "down by the piers") that included hokey draped fishing nets and white-plastered walls. Instead I found a formal, baronial interior (the front room, where we were seated, features a huge carved sandstone fireplace that would be at home in a European castle) that could serve as the setting for any kind of upscale eatery. The other main decorative element is a towering, backlit display of liquor bottles behind the bustling bar, a noisy locus that proved problematic on both my visits.
Jack and I were seated at a table for two optimistically separated from the bar area by a low side table. It was a Friday night, early, and people who'd been happily released from their labors in the many office towers in the neighborhood ebbed and flowed around us. There were more than a dozen starters, listed as "mezethes" on the menu, and though I knew we'd get the smelts (marithes tiganites) it was hard making additional choices. Everything sounded enticing.
The smelts were all Robert had said they were, and then some. I was dazzled by their sheer quantity: numbers of them, stacked up like kindling, sprinkled with chopped parsley. There was more than enough for a shared appetizer or even a light main course. (The portion size was surprising, given the discreet quantity -- three -- of the nice but not striking dolmathes that Jack ordered, the classic grape-leaf logs stuffed with chopped meat, rice, currants, and pine nuts.) The first smelt I ate went down like a french fry, and I impetuously asked for an order of tzatziki, thinking it would make a fine foil for the crisp fish, which melted away when I bit into its tempuralike coating. The creamy tzatziki, dizzy with garlic, was superb (and I was pleased with the thick, cornmeal-dusted grilled pita that came with it, so unlike the thin, leathery stuff you often get). We liked the tender calamari that tasted of the grill and came served on a bed of black-eyed peas with a dab of almond-and-tomato romesco sauce.