Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Mission of Burma

OnOFFOn

Share

  • rss

By Philip Sherburne

Published on June 09, 2004

The Pixies may have been this year's big reunion story, but no recorded reformation held greater risk for the post-punk generation than Mission of Burma's OnOFFOn. By the time Boston's Burma disbanded in 1982, after four meager years together, the band had pioneered the use of tape loops in rock songs and engineered an angular, densely atonal architecture that would become the foundation for a generation of indie rockers, from Pavement to Unwound. The title of MOB's new album may suggest hesitation, but the switch in question is more like the power button on a time machine. From the staccato chorus of "The Setup" to the crushing weight of the ascending chords in "Absent Mind," the album sounds like a lost recording from 1983. It's not that Mission of Burma disregards the music of the last two decades. Having blueprinted so much of it, they rebuild it according to their own original designs. It's less a return to form than it is the revelation of a shape that was always there, waiting for the rest of us.