Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Complete History of America (Abridged)

What started off as a modest joke is now an extended -- and lame -- gag

Share

  • rss

By Michael Scott Moore

Published on July 07, 2004

The Reduced Shakespeare Company started its Complete Works of William Shakespeare (Abridged) as a modest joke at a Renaissance Faire more than 20 years ago. The intervening decades have spawned not just TV shows and world tours, but also spinoffs like All the Great Books (Abridged) and Western Civilization: The Complete Musical (Abridged). Such wild success may lead you to think The Complete History of America (Abridged) is very funny. But in the hands of the Free Range Theatre Company -- a local outfit that decided to produce Reduced Shakespeare's script -- the show comes off as a weak idea, or an extended gag with no idea at all. Running through "50,000 years of American history" in under two hours needs more vision than a bunch of actors doing funny things with water pistols. We get a song about Amerigo Vespucci, the mapmaker, set to the Gilligan's Island theme; a radio western that manages to involve both World War II and FDR; a long detour into film noir, featuring a detective who wanders from the 1950s into modern-day Washington, D.C. ("Maternity ward bombings?" the cynical dick says to a cop. "You got the wrong guy. You can't connect me to the baby boom"). The show peaks with a Lewis & Clark skit played as a vaudeville comedy routine, with the explorers in buckskin making lewd jokes about Sacagawea. But those jokes are meant to be lame, and the rest of the performance -- no one seems to have noticed -- is no better.