Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Court & Spark

Witch Season

Share

  • rss

By Abigail Clouseau

Published on August 25, 2004

We'll be honest: We don't love Court & Spark frontman M.C. Taylor's twangy, low-register, sometimes Jerry Garcia-ish singing. In fact, if the group's latest, Witch Season, had been released on a label besides the local Absolutely Kosher, known for putting out cutting-edge, typically indie rock records by bands like the Wrens, Pinback, and Frog Eyes, we would have dismissed it as altcountry humdrum. But C&S's choice of label (or vice versa) compelled us to give the record a thorough listen, which we're happy about, because what we do love is the way the instruments interact. At any given point on Witch Season, happy guitars and trembling organs lollygag as if there's little to care about but porch swings and sweet lemonade. The sound is as pleasantly far from city-life hustle bustle as we've heard in a while.