Blogs
Wed Oct 15, 3:20 PM
Wed Oct 15, 3:03 PM
Wed Oct 15, 3:37 PM
Wed Oct 15, 2:15 PM
Wed Oct 15, 11:27 AM
Wed Oct 15, 8:59 AM
Wed Oct 15, 4:00 PM
Wed Oct 15, 1:30 PM
Recent Articles
Recent Articles by Andrew Marcus
Once, Twice, Three Times a Maybe
Hip hop harbingers Tackhead take to the Independent; French fun is the name of the game at "Diabolik."
Dog Disco
From MTV to Rolling Stone, everyone loves the Distillers. Except us.
Punk before punk was invented, Rocket From the Tombs is back
No related articles found
National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
Perfect
Once, Twice, Three Times a Maybe
Published on October 13, 2004
Next to the Red Sox and Adlai Stevenson, in the yet-to-be-built (in Oakland, naturally) Underdog Hall of Fame, would be the Replacements: the mythic least-successful and most-deserving band of the '80s. Likewise, the solo career of Replacements bassist Tommy Stinson, from his utterly ignored early-'90s outfit Bash and Pop to his current membership in the vegetating Guns N' Roses. And then there's Perfect, the hard-pop band Stinson formed in L.A., only to see its debut full-length shelved in 1999. Finally released, Once, Twice Three Times a Maybe is that rare happy ending, a punky take on the coiled Beatles-y hooks that once made healthy teenage girls into trichotillomaniacs. Credit is due to melodic lead guitarist Marc Soloman, but it's Stinson's dry warmth as a singer and tough tunefulness as a bassist and songwriter that pull it together. As with Village Gorilla Head -- Stinson's cooler new "solo debut" -- Perfect's vindication is the mark of true success, the Curse of the Bambino be damned.