Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Nick Cave & the Bad Seeds

Abattoir Blues / The Lyre of Orpheus

Share

  • rss

By Mike Rowell

Published on December 15, 2004

Double albums are inherently problematic: Sheer bulk causes even the best of them to come across as uneven. At first listen, the 13th offering by Nick and his Bad Seeds -- the first without Einstürzende Neubauten's Blixa Bargeld on guitar -- is no exception. The rowdier disc, Abattoir Blues, launches headlong with the roaring "Get Ready for Love" -- spine-tingling gospel choir and all -- and jaunts through a variety of engaging tracks, including the comparatively boppy single "Nature Boy." But things kinda lose steam by the more downtempo Orpheus, and despite all the pretty tunes about life, love, and critters, one can't help but wonder if Cave isn't semi-recycling his formidable back catalog. But his compositions have always had an insidious narcotic effect, invariably hooking the persistent listener, and the 17 tracks contained in this lovely gift-worthy box are no different.