Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Kaada & Patton

Romances

Share

  • rss

By Katy St. Clair

Published on December 29, 2004

The thing about so-called "improvisational" musicians is that, sooner or later, everything they do begins to sound the same. Vocalist Mike Patton, S.F.'s avant-garde poster boy, busies himself with enough disparate projects spearheaded by other people to overcome this handicap most of the time. But given half a chance, he will fall right back into that ol' Patton shtick of alternately wailing and trying to sound like Frank Sinatra over herky-jerky, experimental background music. Enter his latest project with Norwegian electronic musician John Kaada. The most striking thing about this record is its cover art, which is a gorgeous drawing of gloomy jellyfish that gives some hint as to what's inside. The pair have gone for a "romantic" feel, layering dreamy and foreboding synthetic sounds one on top of another, all in the service of Patton's creepy vocals. But this ain't no romance. Instead it comes off like the soundtrack to a deep sea horror movie, something Patton did much more successfully with Fantômas.