Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Harolds End

Street punks as big-eyed Keane kids coming down from crystal meth

Share

  • rss

By Brock Keeling

Published on January 26, 2005

By JT LeRoy

Last Gasp (2005), $19.95

Unlike JT LeRoy's last two autobiographical novels, which come off like gaping wounds that just won't clot, Harold's End is a brief but beautiful bruise of a book that unveils the faintest flicker of hope. In it the San Francisco author presents a gaggle of scrappy young Polk Street hustlers and their loyal animal companions. Oliver, the numb, saucer-eyed hero, meets up with a lecherous old man who offers him -- in addition to a warm Castro house in which to crash, plus bags of high-grade heroin in lieu of the cheap tar Oliver habitually abuses -- a pet of his very own: a snail. In this updating of a boy-and-his-dog tale, LeRoy manages to make you feel tremendous warmth, and eventually despair, for the slimy creature, a common garden pest, which spends most of the book munching mesclun salad mix and orbiting its home, a Starbucks coffee cup. And although LeRoy's writing has been criticized by some for being a tad too stylized, his elegant prose effectively suits Harold's End, especially when he's describing a sex act involving enema waste or a night spent inside a Godforsaken single-room-occupancy hotel. Australian artist Cherry Hood provides complementary watercolor renderings of the story's street punks, who look like big-eyed Keane kids coming down from a monthlong binge on crystal meth.