Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Boom Bip

Blue Eyed in the Red Room

Share

  • rss

By Chris Dahlen

Published on March 09, 2005

Boom Bip should hire more singers. That's not a knock against his vibrant downtempo instrumentals: Like an interior decorator, he takes disparate sources -- rock guitars and Eastern-flavored synths, laptop beats and a basement drum kit -- and combines them with airtight tastefulness. Blue Eyed in the Red Room is more refined (though less surprising) than his debut long-player, Seed to Sun, but the instrumental songs are dwarfed by the two tracks featuring guest vocalists. Ever since Circle, on which Bip, aka Bryan Hollon, backed up MC Doseone, the producer has proven himself an adept accompanist to idiosyncratic voices. The carnival motifs of "Do's and Don'ts" pull Super Furry Animal Gruff Rhys through a three-part fun-house ride, while Nina Nastasia's "The Matter" rivals her acoustic material for mood and beauty. The shimmering backdrop wraps her like a silk kimono, and it's so gorgeous that the other cuts almost sound jealous.