By Emma Silvers
By Gary Moskowitz
By Alee Karim
By Ian S. Port
By Ian S. Port
By Derek Opperman
By Emma Silvers
By Alee Karim
Goapele Mouhlabane, known simply as Goapele (pronounced kwa-pa-lay), is one of the Bay Area's most promising soul singers. With her mother and brother, she formed her own label, Skyblaze Entertainment, as a vehicle to promote her singing career. Her sophomore album is due out in June, released jointly between Skyblaze and Columbia Records, though, as the singer explains, she and her family still maintain an independent work ethic and attitude. Here, Goapele details her dedicated journey from performing at local youth rallies and all-ages clubs and starting a family business to landing on the international radar.
Tamara Palmer: You recently sold out eight shows at Yoshi's. How long and hard has the road to that success been?
Goapele: I've been performing in public informally since I was probably 16, more so at community events and in the underground hip hop scene or at youth rallies. Which is kind of a different way to get into the music business, but it was just my way of participating. I started to get familiar with different people and people started getting familiar with me in that way.
Before I had a band I was performing with my brother, DJ Namani, over hip hop instrumentals at places that were all-ages. That probably started around when I was about 18, and then I went away to school to study music in Boston and came back two years later, and I had started recording my own music already and informally started working on an album.
Through the support of my family, before we officially started a label we started pressing up CDs and going to sell them at Rasputin and Amoeba [in Berkeley] on consignment. Then I got a band together and started performing those songs with the band, and that was probably about four years ago I'd say.
TP:Has it been key to your career that you started out with all-ages venues?
Goapele: I've just always performed in front of my peers and also at all-ages things, which are usually multigenerational, and performing where I could when I could, and when the next step was available, taking it. I just kept trying to improve the show, and the opportunities kept improving.
TP:Did you serve as your own booking agent throughout?
Goapele: No, my brother was managing me -- is managing me. That really helps, to have good management that you trust and has your same vision. Because there's a lot of talented artists that are trying to do it all themselves. I'm a hands-on person and I like being involved in all the different aspects, but I would never try and do everything myself.
TP:Are there ups and downs with keeping the business in the family?
Goapele: I'd say [our experience is] pretty positive. I think the music business in general, no matter who you work with, is up and down. So I don't really see any advantages of working with people that aren't familiar.
TP:You started a label called Skyblaze Entertainment with your family several years ago. Have any major labels tried to buy you out as you've gotten more popular?
Goapele: There were some early on that we were having conversations with, but we just kind of took our time. It felt like for our label to join up with a major label, we'd have to find one that was willing to continue on the path that we were going on. So about a year ago, Skyblaze joined up with Columbia so that the rerelease of Even Closer [Goapele's 2002 debut] was Skyblaze/Columbia and the new one, which will be coming out soon, will also be a Skyblaze/Columbia album.
TP:How has Columbia allowed you to enhance your business and what it is that you do?
Goapele: There are a lot more resources available. There are a lot more people working on one project, and they're an established company so there's financial support. We're still really hands-on with Skyblaze and as far as the music production and recording locally at our own studio that we recently built in Emeryville. But it's definitely helpful to have a larger company behind us for support.
TP:You've worked with a wide range of local musicians, from J Boogie to Zion I to E-40. Will we see any collaborations from them on the album?
Goapele: I'm sure I'm going to continue doing stuff with them. I'm not exactly sure for the album. I think those are people I work with off and on and then after we do a song we kinda figure out where it makes sense. I worked with Amp Live [of Zion I] on the last album and he's definitely still producing stuff on this album, and I'll probably do something with the group Zion I. E-40 I know is working on a new album; I'll sing something and we'll see what happens. I'm just kind of going with the flow. And there's some new artists coming out, so I'm always keeping an ear to that. That's exciting for me, working with other people that are up and coming.
TP:Does that fuel your creative process, when you work with a lot of people who are so different from yourself?