Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Charlie Cox Runs With Scissors

Confronting death, and living to joke about it

Share

  • rss

By Chloe Veltman

Published on June 08, 2005

From the scythe-wielding Grim Reaper of folklore to Brad Pitt's turn as the deathly Joe Black in the movie Meet Joe Black, culture is constantly coming up with new ways to personify mortality. In Marin Theatre Company's production of Michael McKeever's Charlie Cox Runs With Scissors, the character of Death can perhaps best be described as a wisecracking pixie crossed with Robert Smith of the Cure. Upon discovering he has only 18 months to live, book editor Cox (Howard Swain) finds himself confronting death in an unusual way when he picks up a black-clad, spiky-haired teen (Liam Vincent) hitching a ride to, as his sign reads, "Nowhere" on a lonely desert road in Arizona. McKeever's affable but rather simplistic play belongs to that most underpopulated of genres: feel-good dramas about dying. Though packed with snappy one-liners and effervescent performances (particularly from Swain and Anne Darragh as the widowed owner of a dilapidated desert motel), Charlie Cox more lollops than runs.