David Cooper
American Conservatory Theater's production of
The Overcoat features a two-story mechanized
set, more than 85 costumes, and 22 actors.
Details
Created by Morris Panych and Wendy
Gorling
Based on "The Overcoat" by Nikolai
Gogol
Music by Dmitri Shostakovich
Through Sept. 25
Tickets are $25-80
749-2228
www.act-sf.or
g
Geary Theater, 415 Geary (at Mason),
S.F.
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In an essay about Gogol's "The Overcoat," "The Apotheosis of a Mask," Vladimir Nabokov says of the protagonist: "The making and the putting on of the cloak is really his disrobing and his gradual reversion to the stark nakedness of his own ghost." The act of putting on the new coat is, weirdly enough, tantamount to a striptease, and the gaudy exposition of The Man's fragile soul ultimately leads to his undoing. Watching the character, recently divested of his gorgeous butterfly mantle, shivering in shirt sleeves in the St. Petersburg snow in CanStage's production is to understand something about the nature of creativity: Ephemeral, raw, and subject to ridicule, artistic inspiration cannot adequately be articulated through words. Telling us this version of the story without them, as Gorling and Panych do, makes much more sense.