Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • Broward-Palm Beach New Times

    Freeze Frame

    A visit to the strange and wonderful world of Vanilla Ice.

    By Michael J. Mooney

  • Miami New Times

    Young Blood

    As the Supreme Court considers whether to ban life sentences for juveniles, it should remember the evil deeds of Dewayne Pinacle.

    By Tim Elfrink

  • Riverfront Times

    Cannonball Re-Run

    A screwball crew of gearheads retool outlaw cross-country car racing.

    By Nicholas Phillips

  • Houston Press

    The Idiot's Guide to Smoking Pot

    Lesson one: Do not eat your weed in front of a cop.

    By John Nova Lomax

Paul McCartney

Chaos & Creation in the Backyard

Share

  • rss

By Rossiter Drake

Published on September 14, 2005

The Beatles always amounted to far more than the sum of their individual parts, a point driven home every time a hopelessly flawed solo effort by either John, Paul, George, or Ringo hits the streets. And though Chaos & Creation in the Backyardrepresents Macca's strongest work since 1980's McCartney II, it's hardly enough to validate a career that has been mired in mediocrity since the dissolution of the Fab Four. At its best, Chaos evokes memories of the "White Album": "Jenny Wren" is a pretty acoustic ballad that recalls past hits like "Blackbird," minus the gorgeous hooks. But too much of the album plays like "Promise to You Girl," a rollicking number that has all the right ingredients -- sunny melodies, tight harmonies, and pleasantly familiar vocals -- but none of the vitality and freshness of McCartney's best work.