Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Paula Frazer

Leave the Sad Things Behind

Share

  • rss

By Mark Keresman

Published on October 05, 2005

Melancholia comes easier to some than others -- but like most any state of mind, it's what one does with it that counts. S.F.'s Paula Frazer (who fronted altcountry locals Tarnation in the '90s) channels lingering, heart-rending images and stories into evocative songs, virtual minisoundtracks. Her third solo disc, Leave the Sad Things Behind, is a refinement of the "western noir" (or "goth country") of her earlier work. Here we find muted, almost martial drums; ominous electric twang recalling the spaghetti western soundtracks of Ennio Morricone; the distant, lonely wail of steel guitar; elegantly forlorn melodies; and Frazer's very pretty, dignified, Patsy Cline-on-the-prairie vocals. What's new is the fuzz-tone guitar, the mariachi-via-Burt Bacharach horn section, the assertive, optimistic vocal tone of the rolling "No Other," and the jaunty piano and gauzy harmonies of the Velvet Underground-like "It's Not Ordinary." Belle & Sebastian would kill for the animated "Funny Things," with its one-two punch of a chiming '60s folk-rock melody and a chirpy, boy/girl "ba-ba-ba" chorus. Frazer's Sad Things panoramas will not only commiserate with your gloom, they might even comfort you -- a bit.