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Structured Cinema 

Rosenblatt assembles his shorts

Wednesday, Nov 16 2005
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WED-THURS 11/16-17

Single shots, the building blocks of film, mass into palaces or collapse into rubble depending on the mortaring skills of the filmmaker/ architect. San Francisco's Jay Rosenblatt practices the homelier art of collage, in which he assembles bricks from older pieces (educational documentaries, home movies, Hollywood features) into postmodern playgrounds or arenas of sadness. In Friend Good, Rosenblatt reworks James Whale's classic Frankenstein to amplify the creature's loneliness. Prayer is a post-9/11 plea for tolerance comprised of ancient films of pilgrims with their heads bowed. In his latest piece, Phantom Limb, Rosenblatt repurposes hospital scenes of amputees to illustrate the pain he still feels over a lost kid brother, while the autobiographical Worm mingles new and old footage to relay a childhood memory of the creatures in the rain.

A nine-movie collection of new work, "Matters of Life and Death: Recent Films by Jay Rosenblatt," also includes four diarylike shorts mixed through digital-video technology. Three of them, consisting of a daddy doting on his tiny daughter, may seem sugary, but they contribute to the strength of the collection by balancing out the melancholy. The fourth, A Pregnant Moment, captures episodes during Rosenblatt's dog's pregnancy, with the puppies being reared and then given away. It may sound trivial, but the desolate look on the pooch's face after her last pup is gone speaks volumes. Irrevocable loss is Rosenblatt's great theme.

"Matters of Life and Death" plays at 2, 4, 7, and 8:45 p.m. on Wednesday and at 7 and 8:45 p.m. on Thursday at the Roxie Cinema, 3117 16th St. (at Valencia), S.F. Admission is $4-8; call 863-1087 or visit www.roxie.com.
-- Gregg Rickman

Sonny's Stage

FRI-SAT 11/18-19

As a busker, writer, and filmmaker, Sonny Smith is no stranger to tinkering with genres, but it's his musical storytelling about real-life oddballs that gets him the most gigs around town. Now he's funneled that creativity into a play -- though he's quick to note that Stranger Danger is "anti-musical and anti-thespian." It does, however, have all the trappings of the form, outfitted as it is with sets, props, a live band, and, curiously, ghosts. Smith acts in it, too, playing the part of a cabdriver motoring through a rainy night, singing songs and telling tales about his many fine adventures. Stranger plays at 8 p.m. on Friday and Saturday at the Lab, 2948 16th St. (at Capp), S.F. Admission is $7-15; call 864-8855 or visit www.thelab.org.
-- Michael Leaverton

On a Mission
Shot on location

WED 11/16

Deep roots in creative work and a fierce love of the Mission District characterize the filmmakers in "The Reel Mission: The Films and Videos of Lourdes Portillo and Son." Portillo, an Oscar-nominated documentary director, brings her seldom-seen first film, Después del terremoto/After the Earthquake, to be projected in glorious 16mm. Another offering is her My McQueen, which the evening's curator, Sergio de la Mora, says is "an interesting reflection on fantasy and masculinity [in which the filmmaker] imagines what a Latino Steve McQueen would be like. I think it's also a sharp comment on the way the city has been transformed since Bullitt was shot." Screenings begin at 7:30 p.m. at the Yerba Buena Center for the Arts, 701 Mission (at Third Street), S.F. Admission is $5-8; call 978-2787 or visit www.ybca.org.
-- Hiya Swanhuyser

Filthy Lucre
Gatewood's dirtiest pictures?

ONGOING 11/19-1/21/06

Photographer Charles Gatewood established himself as a chronicler of the sexual underground in the 1960s. Blood play, naked food fights, and serious sadomasochism existed in his oeuvre long before extreme fetish practices became common gallery fare. The same candor can be found in his "Wall Street" series, gritty black-and-white photos from the 1970s, showing in the Mission for the next couple of months. Lone figures dwarfed by colossal skyscrapers and frosty metropolitan plazas abound in Gatewood's strangely ethereal pictures, suggesting that perversion lies not only in the sexual realm, but also in the iron-fisted world of high finance. The images are included in the exhibit "Rags to Riches," which features works from sculptor Nuala Creed and photographer Cindy Bennett as well. The opening reception starts at 5 p.m. on Saturday (and the exhibit continues through Jan. 21, 2006) at the Lola Gallery, 2517 Mission (at 21st Street), S.F. Admission is free; call 401-6800 or visit www.lolabrown.com.
-- Nirmala Nataraj

Fully Radical

SAT 11/19

Conservatives used to say it stood for "I won't work," but the IWW, with its "One Big Union" credo, has meant much more than that over its 100-year history. The group has inspired birth control activists, fighters for the eight-hour workday, and rabble-rousers of many other stripes. Wobblies! A Graphic History of the Industrial Workers of the World celebrates the political cartoons, songs, and artwork produced by the organization. No less an authority than Zippy creator Bill Griffith says the book is "chock full of great images." Jay Kinney, Spain Rodriguez, and Trina Robbins read from and discuss their contributions at 7:30 p.m. at the Edinburgh Castle, 950 Geary (at Larkin), S.F. Admission is free; call 885-4074 or visit www.castlenews.com.
-- Hiya Swanhuyser

About The Author

Gregg Rickman

About The Author

Hiya Swanhuyser

About The Author

Nirmala Nataraj

About The Author

Michael Leaverton

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Slideshows

  • Nevada City and the South Yuba River: A gold country getaway

    Nestled in the green pine-covered hills of the Northern Sierra Nevada is the Gold Rush town of Nevada City. Beautiful Victorian houses line the streets, keeping the old-time charm alive, and a vibrant downtown is home to world-class art, theater and music. The nearby South Yuba River State Park is known for its emerald swimming holes during the summer and radiant leaf colors during autumn. These days the gold panning is more for tourists than prospectors, but the gold miner spirit is still in the air.

    South Yuba River State Park and Swimming Holes:
    The park runs along and below 20 miles of the South Yuba River, offering hiking, mountain biking, gold panning and swimming. The Highway 49 bridge swimming hole is seven-miles northwest of Nevada City where Highway 49 crosses the South Yuba River. Parking is readily available and it is a short, steep hike to a stunning swimming hole beneath a footbridge. For the more intrepid, trails extend along the river with access to secluded swim spots. The Bridgeport swimming hole has calm waters and a sandy beach -- good for families and cookouts -- and is located 14 miles northwest of Nevada City. Be sure to write down directions before heading out, GPS may not be available. Most swimming holes on the South Yuba River are best from July to September, while winter and spring can bring dangerous rapids. Always know the current before jumping in!

    Downtown Nevada City
    The welcoming, walkable downtown of Nevada City is laid back, yet full of life. Start your day at the cozy South Pine Cafe (110 S Pine St.) with a lobster benedict or a spicy Jamaican tofu scramble. Then stroll the streets and stop into the shop Kitkitdizzi (423 Broad St.) for handcrafted goods unique to the region, vintage wears and local art “all with California gold rush swagger,” as stated by owners Carrie Hawthorne and Kira Westly. Surrounded by Gold Rush history, modern gold jewelry is made from locally found nuggets and is found at Utopian Stone Custom Jewelers (301 Broad St.). For a coffee shop with Victorian charm try The Curly Wolf (217 Broad St.), an espresso house and music venue with German pastries and light fare. A perfect way to cool down during the hot summer months can be found at Treats (110 York St.) , an artisan ice cream shop with flavors like pear ginger sorbet or vegan chai coconut. Nightlife is aplenty with music halls, alehouses or dive bars like the Mine Shaft Saloon (222 Broad St.).

    The Willo Steakhouse (16898 State Hwy 49, Nevada City)
    Along Highway 49, just west of Nevada City, is The Willo, a classic roadhouse and bar where you’re welcomed by the smell of steak and a dining room full of locals. In 1947 a Quonset hut (a semi-cylindrical building) was purchased from the US Army and transported to its current location, and opened as a bar, which became popular with lumberjacks and miners. The bar was passed down through the decades and a covered structure was added to enlarge the bar and create a dining area. The original Quonset beams are still visible in the bar and current owners Mike Byrne and Nancy Wilson keep the roadhouse tradition going with carefully aged New York steaks and house made ingredients. Pair your steak or fish with a local wine, such as the Rough and Ready Red, or bring your own for a small corkage fee. Check the website for specials, such as rib-eye on Fridays.

    Outside Inn (575 E Broad St.)
    A 16-room motel a short walk from downtown, each room features a unique décor, such as the Paddlers’ Suite or the Wildflower Room. A friendly staff and an office full of information about local trails, swimming and biking gets you started on your outdoor exploration. Amenities include an outdoor shower, a summer swimming pool and picnic tables and barbeques. Don’t miss the free vegetable cart just outside the motel in the mornings.

    Written and photographed by Beth LaBerge for the SF Weekly.

  • Arcade Fire at Shoreline
    Arcade Fire opened their US tour at Shoreline Amphitheater to a full house who was there in support of their album "Reflector," which was released last fall. Dan Deacon opened the show to a happily surprised early audience and got the crowd actively dancing and warmed up. DEVO was originally on the bill to support Arcade Fire but a kayak accident last week had sidelined lead singer Mark Mothersbaugh and the duration of the west coast leg of the tour. Win Butler did a homage to DEVO by performing Uncontrollable Urge.

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