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Our critics weigh in on local theater 

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700 Sundays. Billy Crystal's Tony Award-winning, box office record-smashing, autobiographical solo show is more nutritious than Grandma's chicken soup, more soothing than bedtime cocoa, and more embarrassingly sentimental than a grown man reminiscing about his bed-wetting days. Performing before a replica of the facade of his childhood home on Long Island, Crystal distills the spirits of the people and places of his youth into wickedly funny archetypes. There's Uncle Jack, whose squinting "Picasso face" Crystal lovingly re-creates by contorting his own physiognomy into an abstract painting. And there's Grandpa Julius, whose flatulence is daftly tempered by the fact that, being half deaf, he can't hear himself fart. The whole show feels like we've been invited into the comedian's house to flip through old family albums and watch home movies. That being said, the production suffers from the uneven relationship between Crystal's infectious borscht belt-style shtick and the confessional, more earnest material about the loss of his father and, eventually, his mother. There's something admirable, brave even, in a comedian turning his back on laughter. But because it oozes with syrupy nostalgia, Crystal's well-intentioned threnody neither satisfies as stand-up comedy nor sparkles enough to feel like real theater. Through Dec. 17 at the Golden Gate Theatre, 1 Taylor (near Sixth and Market streets), S.F. Tickets are $58-148; call 551-2050 or visit www.shnsf.com. (Chloe Veltman) Reviewed Dec. 7.

Black Nativity. The theater has long been compared to organized religion; both the stage and the pulpit offer divine intervention in their own contrasting ways. But the Lorraine Hansberry Theatre's perennial holiday production literally turns the auditorium into a church. Based on poet/playwright Langston Hughes' 1961 "gospel song play" of the same title, Black Nativity mixes text from the Bible, snippets of Hughes' verse, and gospel hymns to recount the story of Jesus Christ's birth as told by members of a jubilant congregation. The production's formidable choir and soloists sing gospel standards such as "Go Tell It on the Mountain" and "Joy to the World" and newer songs (by, among others, principal artist and musical director Robin Hodge-Williams) with the sort of ecstatic fervor that makes even the most belligerent nonbelievers want to leap out of their seats and make a joyful noise unto the Lord. The show's choreography is a bit ungainly: Watching Mary go through 10 minutes of birth pangs in the middle of a particularly emotional hymn, for instance, is nothing short of embarrassing. Yet the vocal pyrotechnics -- particularly from blues diva Faye Carol and the angelic Merkell L. Williams -- make the soul sing. Still, you could probably enjoy a similar experience (without the annoying choreography) at Glide Memorial on any given Sunday for free. Through Dec. 24 at the Lorraine Hansberry Theatre, 620 Sutter (at Mason), S.F. Tickets are $25-32; call 474-8800 or visit www.lhtsf.org. (Chloe Veltman) Reviewed Dec. 7.

Brundibar and Comedy on the Bridge. Berkeley Rep's one-act-opera double bill sugarcoats savage criticisms of society with fun, family-friendly stories. Featuring a cast of adults and around 30 children, Brundibar follows the fortunes of a penniless brother and sister as they try to scrape together enough money to buy milk for their bedridden mother. Comedy on the Bridge is an absurd story about a collection of townspeople left stranded on a bridge during wartime owing to some bureaucratic error. The operas are political allegory masquerading as innocent fun. Children's author Maurice Sendak's designs (created with Kris Stone) do much to set up the tension between the magic of children's storytelling and the darkness that lurks beneath. The stage looks like a wondrous, giant picture book, with its elaborate "hand-drawn" townscapes featuring rickety roofs and lampposts touched by golden light. Tony Kushner's librettos are witty and full of lacerating irony. Though visually beautiful and funny, Comedy ultimately flags due to poor vocal technique from some of the adult cast members and the repetitive, stalled action. Brundibar, on the other hand, has more of a fairy-tale flow. Balancing a boyish face and sugary smiles with a Hitler-esque mustache and sudden bouts of childish rage, Euan Morton's fiendish Brundibar is especially memorable -- the stuff of bad dreams. Through Dec. 28 at the Berkeley Repertory Theatre, 2015 Addison (at Shattuck), Berkeley. Tickets are $15-64; call (510) 647-2949 or visit www.berkeleyrep.org. (Chloe Veltman) Reviewed Nov. 23.

Corteo. Clowns are at the very heart of Cirque du Soleil's new touring show, and they take on many forms: There are giant clowns, midget clowns, and clowns in bright, baggy clothes who rampage through the audience, soaking people with fake tears that sprout like garden sprinklers from their eyes. Balanced against all the tomfoolery, though, is a serene, mystical realm. This alternate universe is epitomized by Jean Rabasse's lush, Baroque set design (the hand-painted watercolor curtains, in particular, wouldn't look out of place in a major art museum) and a panoply of ethereal angels who appear in the stratosphere every now and again, quietly watching over the artists, even assisting them on occasion. But despite all the comedy and aesthetic beauty of the production, director Daniele Finzi Pasca's creation of a glittering world that exists somewhere between heaven and Earth, just beyond human reach, is rooted in the abilities of the company's incredible performers. Through Jan. 8 behind SBC Park, Third Street & Terry A. Francois, S.F. Tickets are $31.50-200; call (800) 678-5440 or visit www.cirquedusoleil.com. (Chloe Veltman) Reviewed Nov. 30.

The Tribute to Frank, Sammy, Joey & Dean. Sandy Hackett's swingin' tribute to the Rat Pack takes us back to a time when men wore tuxedos in the desert, women could be one of two things (a lady or a tramp), and Celine Dion was just a golden apple in Las Vegas' hungry eye. Frank Sinatra, Sammy Davis Jr., Joey Bishop, and Dean Martin are brought back to life by God -- and the talents of a quartet of impersonators -- for one more night of highballing at the Sands Hotel. The concert-style production, featuring a live 12-piece band, perfectly captures the spirit of a long-lost era -- from Johnny Edwards' glossy Dean Martin pompadour to what would now be considered terribly un-PC gaffs about black Jews. These particular tribute artists aren't necessarily dead ringers for Frank and company, but if you close your eyes and listen to Brian Duprey's silk-voiced renditions of "My Way" and "Come Fly With Me," you almost feel like you've been transported, martini in hand, to another time and place. In an open-ended run at the Post Street Theatre, 450 Post (at Powell), S.F. Tickets are $37-69; call 771-6900 or visit www.poststreettheatre.com. (Chloe Veltman) Reviewed Aug. 24.

Also Playing

Actors Run Wild! The Next Stage, 1620 Gough (at Bush), Trinity Episcopal Church, 333-6389.

After Dark New Conservatory Theatre Center, 25 Van Ness (at Market), 861-8972.

Aga-Boom Alcazar Theater, 650 Geary (at Leavenworth), 441-4042.

Are We Almost There? Shelton Theater, 533 Sutter (at Powell), 931-8385.

BATS: Sunday Players Fort Mason, Bldg. B, Marina & Buchanan, 474-6776.

Beach Blanket Babylon Club Fugazi, 678 Green (at Powell), 421-4222.

Bent Theatre Rhinoceros, 2926 16th St. (at South Van Ness), 861-5079.

Beyond Therapy Shelton Theater, 533 Sutter (at Powell), 931-8385.

Big City Improv Shelton Theater, 533 Sutter (at Powell), 931-8385.

Cabaret The Ashby Stage, 1901 Ashby (at MLK Jr.), Berkeley, 510-841-6500.

California Palm Shelton Theater, 533 Sutter (at Powell), 931-8385.

A Celebration of Silliness Shelton Theater, 533 Sutter (at Powell), 931-8385.

Christmas Ballet Yerba Buena Center for the Arts Theater, 700 Howard (at Third St.), 978-2787.

A Christmas Carol American Conservatory Theater, 415 Geary St. (at Mason), 749-2228.

Cinderella Zeum Theater, 221 Fourth St. (at Howard), 777-2800.

Cirque Do Somethin' The Marsh, 1062 Valencia (at 22nd St.), 826-5750.

Comedy Improv at Your Disposal Shelton Theater, 533 Sutter (at Powell), 510-595-5597.

Drive My Coche El Teatro de la Esperanza, 2940 16th St. (at South Van Ness), 338-1341.

Emperor Norton: A New Musical Dark Room Theater, 2263 Mission (at 18th St.), 401-7987.

The Foreskin of Christ Off-Market Theater, 965 Mission (at Fifth St.), 896-6477.

GayProv Off-Market Studio, 965 Mission (at Fifth St.), 896-6477.

High Standards New Conservatory Theatre Center, 25 Van Ness (at Market), 861-8972.

High Water Radio Palace of Fine Arts, 3301 Lyon (at Bay), 567-6642.

"Holiday Shorts III" Phoenix Theatre, 414 Mason (at Geary), Suite 601, 989-0023.

Homage to the 21 Taras CounterPULSE, 1310 Mission (at Ninth St.), 626-2060.

The Hopper Collection Blue Bear Performance Hall, Fort Mason, Bldg. D, Marina & Buchanan, 885-5678.

House of Blue Leaves Actors Theatre San Francisco, 533 Sutter (at Powell), 296-9179.

Improv Revolution Off-Market Theater, 965 Mission (at Fifth St.), 896-6477.

Interruptions CounterPULSE, 1310 Mission (at Ninth St.), 626-2060.

La Llorona CounterPULSE, 1310 Mission (at Ninth St.), 626-2060.

Lestat Curran Theatre, 445 Geary (between Taylor and Mason), 551-2000.

Let It Snow! Phoenix Theatre, 414 Mason (at Geary), Suite 601, 989-0023.

Love, Chaos & Dinner Pier 29, Embarcadero (at Battery), 273-1620.

Marius Aurora Theatre, 2081 Addison (at Shattuck), Berkeley, 510-843-4822.

Megan's Baby Magic Theatre, Fort Mason, Bldg. D, Marina & Buchanan, 441-8822.

Menopause the Musical Theatre 39 at Pier 39, 2 Beach (Beach & Embarcadero), 433-3939.

Monday Night Improv Jam Off-Market Theater, 965 Mission (at Fifth St.), 368-9909.

Monday Night Marsh The Marsh, 1062 Valencia (at 22nd St.), 826-5750.

"New Voices West 2005" Magic Theatre, Fort Mason, Bldg. D, Marina & Buchanan, 441-8822.

Noh Christmas Carol Noh Space, 2840 Mariposa (at Florida), 621-7978.

The Nutcracker Cowell Theater, Fort Mason (Marina & Buchanan), 345-7575.

Nutcracker Nutz & Boltz The Marsh, 1062 Valencia (at 22nd St.), 826-5750.

Pinocchio Fort Mason, Bldg. C, Marina & Buchanan.

Porcelain Exit Stage Left, 156 Eddy (between Taylor & Mason), 673-3847.

Season's Greetings Off-Market Theater, 965 Mission (at Fifth St.), 896-6477.

Whiskers Dean Lesher Regional Center for the Arts, 1601 Civic (at Locust), Walnut Creek, 925-943-7469.

White Christmas Orpheum Theater, 1192 Market (at Eighth St.), 512-7770.

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