Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Prelude to a Kiss

As frothy as the head on a Starbucks beverage and twice as sweet

Share

  • rss

By Chloe Veltman

Published on December 14, 2005

In this comedy, playwright Craig Lucas puts a literal spin on the age-old cliché "He became a completely different person after we were married." The courtship between affable medical publisher Peter and insomniac barmaid Rita passes uneventfully enough in a rose-tinted blur of TV dinners and syrupy pillow talk. But when a toothless old man asks the bride for a peck on the cheek on the couple's wedding day, Peter quickly discovers that the mysterious intruder has done more than steal a kiss from his new wife. S.F. Playhouse's production of this popcorn-munching romantic comedy about the transformative power of love is as frothy as the head on a Starbucks beverage and twice as sweet. Lauren English and Christopher W. Jones make for an endearing central couple; English, in particular, does a superb job of channeling the spirit of a geriatric New Yorker trapped in a young woman's body. Yet for all the fast pace and sensitivity of the direction by Bill English (Lauren's dad), Lucas' insubstantial play feels more like a 1992 movie starring Meg Ryan than a work for the stage.