Matthew Shipp

Related Content

• Wynton Marsalis at SF Jazz Reminds Us Why We Need Wynton Marsalis
  June 20, 2011
• Yoshi’s steps up its game with free-jazz fest
  June 17, 2009
• The Lowdown
  September 5, 2007
• Hear This
  June 9, 2004
• Charlie Hunter Trio|Groundtruther
  December 8, 2004

More About

• Matthew Shipp
• Patmos

Like this Story?

Sign up for the Music Newsletter: Keep your thumb on the local music scene with music features, additional online music listings and show picks. We'll also send special ticket offers and music promotions available only to our Music Newsletter subscribers.

Privacy Policy Cancel Continue

In a surprising departure from his groove-deep, electro-acoustic explorations of the past few years as the head of Thirsty Ear's "The Blue Series," forward-jazz vet Matthew Shipp channels his kaleidoscopic vision into a dozen concise, mesmerizing pieces for solo piano on his latest album. The composer-improviser's longtime fascinations with the tough-minded art of the pugilist and the endless possibilities of space travel come together on the kick-off track, "Arc," which sets the tone for the entire recording. Shipp bangs out heavy chords as if vying for a knock-out punch, then presses the foot pedal to the floor to create an enormous cosmic resonance where the notes swirl in and out of each other's harmonic spheres, as if unbound by gravity, until returning with a kind of circular logic back to the launching pad. Other titles like "Module" and "Patmos" present equally lucid forms, constructed out of big tumbling motifs interspersed with flashes of sensitivity, while the elliptical "Zero" and the elegantly minimalist "Milky Way" lean toward lyrical abstraction. The entire album is intensely dramatic (but not sensationalist), sharply focused (yet free-feeling), strong and dark (but not forbidding) -- a spellbinding union of Shipp's multifaceted selves.