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  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Meat Beating? The beating of nuts? What the hell is going on here?

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By Tamara Palmer

Published on February 08, 2006

The U.K.-born band Meat Beat Manifesto (brainchild of producer Jack Dangers) has made its home in the Bay Area for longer than it resided in Old Blighty. Since landing on the left coast 10 years ago, Dangers has truly soaked in our environment, incorporating our local appetite for technology into his MBM performances. The band's current tour features songs from all over its impressive back catalog, but the real showstopper is how the tracks are presented visually via video mixing software. A great many MBM jams include film samples, so a motley assortment of A- through D-list Hollywood characters (from De Niro to low-budget robots) take center stage as they are cut-and-pasted to the grooves. Dälek (which is one Newark, N.J., trio's fancy way of saying "dialect") will kick things off with its hip hop for hard rockers, making for one fine, genre-bending evening of music on Thursday, Feb. 9, at Mezzanine; call 625-8880 or visit www.mezzaninesf.com for more info.


Ewart Beckford and Hopeton Overton Brown probably wouldn't garner much recognition trading under their given names. But under their recording aliases of U-Roy and the Scientist , respectively, Beckford and Brown are two living legends in their native Jamaica. Before DJ Kool Herc brought the Jamaican sound-system ideology to the Bronx and kick-started hip hop culture, U-Roy was the resident DJ for dub originator King Tubby and the Scientist was Tubby's teenage studio apprentice. This is a link that often goes unmentioned in the retelling of hip hop history, but here's a chance to check out some very influential artists who still know how to rock a party. These two pioneers come together for one special evening this Thursday, Feb. 9, at the Independent; call 771-1421 or visit www.theindependentsf.com for more info.


For more than a decade Psycho Les and Ju Ju, the New York duo known as the Beatnuts , have figured out how to tread the fine line between humor and corniness. While a great many of their East Coast colleagues were running around trying to act all hard, the Beatnuts were busy chasing skirts, smoking blunts, and digging through old records for instantly memorable melodies, samples that would later be stolen by tuneless fur-clad singers like J. Lo. And yet, despite the act's influence and originality, hard-core national success has eluded deez Nuts (2004's Milk Me failed to produce any hits). Nevertheless, their easygoing, party-down philosophy is a natural fit here in the Yay Area. L.A. trio Literates and S.F.'s own D.N.A. Crew will get things started when the Beatnuts do their Cheech & Chong thing on Sunday, Feb. 12, at the Red Devil Lounge; call 921-1695 or go to www.reddevillounge.com for more info.