Why you should not: You have to assume nobody saw this the first time, when it was called Home on the Range.
Why you should not: The only people who haven't tired of talking-animal animated movies haven't been born yet.
Directed by:Ronny Yu (Freddy vs. Jason)
Written by: There doesn't seem to be a credited screenwriter. But Yuen Woo-ping is the fight choreographer, which is what matters most.
What it's about: Jet Li kicks some ass. Then a tragedy happens, and he doesn't want to kick any further ass, so he goes into seclusion, where he learns the true way of the warrior. The claim is that this will be Li's last martial-arts epic.
Why you should see it: Sigh. If you know your Hong Kong films, you'd have no doubt that Jet Li and Ronny Yu and Yuen Woo-ping teaming up can only be awesome.
Why you should not: Steer clear if action isn't your thing.
The House of Sand
Directed by: Andrucha Waddington (Me, You, Them)
Written by: Elena Soárez
What it's about: An early 20th-century Brazilian saga about an unhappy woman, a delirious husband, and a barren landscape that proves difficult to escape.
Why you should see it: Waddington's got props back in Brazil.
Why you should not: 59 years on a dune = um pouco louco.
The Night Listener
Directed by: Patrick Stettner (The Business of Strangers)
What it's about: Williams plays a Garrison Keillor-like public radio host who tells embellished stories of his life and friends, but when he receives the manuscript of a memoir from an abused child (Culkin), he doesn't realize that it may be equally embellished.
Why you should see it: Stettner deftly dealt with similar issues of deceit in The Business of Strangers; Williams can certainly be as annoying as your typical talk radio host.
Why you should not: When it comes to drama, Williams is either spot-on (One Hour Photo) or insufferably mawkish (What Dreams May Come). His character here is a gay man whose lover has battled AIDS, which may mean lots of hugging, tears, and Williams doing that grinning thing that's supposed to make him look sad but really doesn't.
Starring:Nicolas Cage, Michael Peña, and Maggie Gyllenhaal
Written by: Andrea Berloff
What it's about: Cage and Peña play real-life Port Authority cops who made it out of the World Trade Center alive after the terror attacks of September 11, 2001. Word is this isn't the work of a paranoid Ollie Stone, but a sober, down-to-the-details docudramatization of the events of the day, already seen this year in United 93.
Why you should see it: Cage is at his best when playing an Everyman stuck in a horrific, real-life situation (his portrayal of an EMT in Martin Scorsese's Bringing Out the Deadremains among his career highlights, even if no one saw it).
Why you should not: Oliver Stone's a real hit-or-miss moviemaker; pray this is closer to Platoonand Salvador than Alexander or Any Given Sunday. Or Natural Born Killers. Or U-Turn. Or Nixon.
What it's about: On the verge of her 15th birthday, pregnant Magdalena is thrown out of her house and moves in with her great-great uncle and gay cousin, but she may lose even this makeshift family to urban gentrification.
Why you should see it: Love the Latina mama-drama.
Why you should not: Wacky outsiders overcome forces of oppression!
Directed by: Anne Fletcher
What it's about: Tatum plays a streetwise punk (is there any other kind?) who trashes a performing arts school and is sentenced to community service. He comes to find it ain't dat bad a joint, once a hot dancer at the school wiggles his broom just a little.
Why you should see it: Rachel Griffiths and Heavy D in the same movie! I only dared to dream.
Why you should not: Because it hasto be awful.
Directed by: Peter Hewitt (Garfield)
Written by: David Berenbaum (Elf)
What it's about: Remember that Disney movie Sky High, about a retired superhero and the superschool his kids attend? This is pretty much the same thing, but with a bigger budget. And it's based on an actual comic book, Zoom's Academy for the Super-Gifted.
Why you should see it: Sky High was fun ...
Why you should not: ... But do we need another version? Tim Allen instead of Kurt Russell isn't exactly what you'd call trading up.
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