Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Diddy

Press Play (Bad Boy)

Share

  • rss

Tamara Palmer

Published on November 21, 2006 at 4:58pm

Sean "Diddy" Combs has a proven aptitude for entrepreneurship, a talent that has overshadowed his career as a music artist and record-label head for the last several years. Until the recent No. 1 successes of his Bad Boy Records artists Yung Joc, Cassie, and Danity Kane, folks were nearly ready to encourage him to stop with the music ventures and just focus on the clothing and cologne.

Press Play is Diddy's first album in five years, an ambitious collection of R&B ballads, terse hip hop, and electronica that features top producers and collaborators (marquee names include Brandy, Timbaland, Nas, and Kanye West). It emphasizes his talent for bringing out the best in others, but not necessarily in himself. Throughout, Diddy is a seasoning that not all listeners will have a taste for: His ghostwritten rhymes, as on tracks like "The Future," seem forced and monotone. But sometimes his guests shine so brightly that it's almost easy to ignore — or at least tolerate — Diddy, as on "Tell Me" (with Christina Aguilera) and standout track "Last Night" (with Oakland's Keyshia Cole). Diddy can't be written out of the music business so easily, but Press Play suggests that his talents are more behind-the-scenes than in front of a microphone. Tamara Palmer