There's this blues song, "The Blues Had a Baby, and They Called It Rock & Roll," and paternity tests reveal the late Bay Area resident John Lee Hooker (1917-2001) to be one of its most likely fathers. Hooker is one of the pivotal figures in the development of blues and rock 'n' roll, a link between city and rural strains. His rhythmic approach was looser, more cyclical, and resolutely groove-oriented (plus occasionally dissonant) than his urban contemporaries, and his guitar style is, after a fashion, just as economical as Joe Strummer's and Johnny Ramone's, though possessed of an inimitable, smoldering, after-midnight snarl. Hooker's deep, talk-sing voice feels possessed yet somewhat stoic when he wails, it's more cathartic than anguished. The man directly influenced generations of performers the Animals, Carlos Santana, Van Morrison, and Bonnie Raitt, to name a few and the raw, punklike mojo-stomp of RL Burnside and his ilk? Hooker is the source, baby. The four-disc Hooker is his first career-spanning document, and from his unaccompanied solo sessions in 1948 to his guest star-studded mid-'80s recordings, JLH blazed a path that twists on forever. Mark Keresman
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