Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Nas

Hip Hop Is Dead (Def Jam)

Share

  • rss

Published on January 09, 2007 at 10:43pm

As with 2004's "Thief's Theme," the title track to Nas' eighth disc is built around a sample of "In-a-Gadda-Da-Vida." But "Hip Hop Is Dead" also resurrects something else: a theme that's been floating around since the '90s. Back then, some argued Nas was not only squandering his talent, but actually killing hip hop with such platinum duds as Nastradamus.

By his last album, 2004's Street's Disciple, Nas had won back some credibility, yet his own career was in critical condition. And as a result, he has buried his beef with Jay-Z in hopes that Jigga's label can give Hip Hop Is Dead a commercial boost. It should work, since Kanye, Dr. Dre, and will.i.am all produced tracks, one of which — "Can't Forget About You" — makes a pretty memorable flip of the standard "Unforgettable."

Still, this isn't the album Nas should've made. "Black Republican," his long-awaited duet with Hov, buries some great lines beneath messy production, while the Game, who guests on "QG Tru G," still doesn't belong on the same wax as the Big Apple legend. Nas' problems (as well as hip hop's) remain artistic, not commercial, and can't be solved by sheer star power. Until that misconception is resolved, the occasionally brilliant eulogy is the best we can expect from the guy. — Dan LeRoy