Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Morning Benders

Boarded Doors (Self-released)

Share

  • rss

Published on March 13, 2007 at 2:51pm

The painting on the Morning Benders' new Boarded Doors EP shows a boy sitting on a fallen tree, looking down at a fragment of a city. Above the buildings a smoggy glow fades into a sky with the band's name spelled out by the stars. It's easy to imagine this pensive sky-gazer on the cover mulling over the concerns that comprise the subjects of the songs here. The artwork and the music display a nostalgic longing, a desire to make sense out of life and love and to maintain a grasp on one's identity amid tumult.

The influence of Brian Wilson looms large on the record, both in the instrumentation and in the somber, wide-eyed lyrics. Opening track (and highlight) "Dammit Anna," even features a percussion break cribbed from the Beach Boys' "I'm Waiting for the Day." This shouldn't come as a surprise considering that Pet Sounds is a universal high-water mark for bedroom pop-players, and the Berkeley quartet handles its influence deftly. Perhaps what distinguishes Boarded Doors from the slew of other Wilson-aspirants is the marriage of a youthful outlook with Brill Buildinglike melodies. The songs evoke exuberance and melancholic introspection without drowning in sonic ambition. John Garmon