Going Off

For a while there, if you wanted to bathe your ears in some truly orgasmic instrumental post-rock, you couldn't do much better than Scotland's Mogwai. Take its epic, 16-minute "Mogwai Fear Satan," for example. The opening guitar line repeats portentously, creating a roiling ocean of sound joined by frenetic drum fills and all sorts of distortion. The track bursts into a sonic squall, falls away to a haunting flute melody, then erupts again before gradually riding out in a stunning coda.

Dianne Jones

Explosions in the Sky: lofty rock.

Details

Explosions in the Sky perform on Tuesday, May 1 at 8 p.m. Admission is $13-15; call 255-0333 or visit www.slims-sf.com for more info.

Slim's

Related Content

• Treasure Island Day Two: St. Vincent, Beach House, and Explosions in the Sky Successfully Suspend Reality
  October 17, 2011
• Sizzle & Fizzle: Highs and Lows from the Last Week in S.F. Music
  October 19, 2011
• Batter Blaster to Launch Bacon Pancakes In an Aerosol Can (PIC)
  September 28, 2010
• Download Three SXSF Mixtapes From The Bay Bridged
  March 16, 2011
• Helpful Advice: How To Survive NOT Going To SXSW
  March 18, 2011

More About

• Mogwai
• Austin (Texas)
• Explosions in the Sky
• High School Football
• High School Athletics

Like this Story?

Sign up for the Music Newsletter: Keep your thumb on the local music scene with music features, additional online music listings and show picks. We'll also send special ticket offers and music promotions available only to our Music Newsletter subscribers.

Privacy Policy Cancel Continue

But Mogwai's tunes have become shorter, more vocal-laden, and more conventional in recent years. Meanwhile, numerous other bands have forged careers inspired by those early exploits, perhaps none more thrillingly so than the Austin, Texas, quartet Explosions in the Sky. Formed in 1999, EITS moved from the indie-rock fringes to something resembling mainstream recognition by providing music for the lauded 2004 film Friday Night Lights. The movie was a Texas high school football saga in which the band's atmospheric, deeply affecting soundscapes complemented and intensified the gridiron gravitas.

In February, Explosions released dark, stirring compositions separate from the silver screen — the group's fourth album, All of a Sudden I Miss Everyone. On the new disc, EITS continue to showcase a mastery of dynamics that displays a shoegazer's fondness for crescendo-enhancing effects and plenty of sublime musical moments. Among them, the rapturous guitarstorm of an opener "The Birth and Death of the Day," which instantly lifts you into the clouds. Gorgeous echoes also float through the 13-minute "It's Natural to Be Afraid," and a cascading grand piano bisects the ambient drones of "What Do You Go Home To?" In both their elegant buildups and atomic resolutions, Explosions create beauty with emotional heft, forging stories that words would only dilute.