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"In the '60s, fashion-wise, it was free-spirited," says Uti, owner of the glitz, glam, and costume shop Piedmont Boutique (1452 Haight St.), which can be spotted from a distance by the signature giant, fishnet-clad legs poking out of the shop's storefront. "It was also about going away from the system, throwing away your pantyhose, your bra. Not buying anything corporate because it was the Vietnam era and you would be supporting the war if you supported commerce. [This movement] created its own creativity of everybody making their own things."
Uti, now going on 60, arrived in San Francisco in 1967 and opened her boutique in the Castro in 1972, moving to the Haight in 1981. She says that when she got started, the retail business focused a lot on consignment, collaborative jewelry-making and profit-sharing between owners and young crafters and designers. Her shop, which today is filled with things like slinky dresses, sparkly hot pants, plastic seashell bikini tops, and fluorescent boas and devotes an entire wall to handmade earrings and boldly colored cowboy hats is still all about custom-made goods. She says you can order almost anything and they'll have it done for you in two days.
While Uti laments that much of the grassroots clothing manufacturing that thrived during the late '60s has since been replaced by another, more commercial machine, she does feel that many of the fashion principles birthed during that time still have resonance and relevance on the neighborhood streets.
"I think Haight Street still promotes a very confident individualism and the ability to really wear anything you want and it being perfectly perfect," she says, in between ringing up customers in the busy store and exchanging a laugh with her husband and business partner, Sahaj. "I still see a lot of people putting really odd combinations together creatively, like they did in the '60s. Nobody matched pieces. The look was the art of the whole group of things."
Down the street, Marie McCarthy, part-owner of the eclectic jewelry and accessories boutique called Offbeat on Haight (1599 Haight St.), sees a similar sense of style outside the doors of her shop. She says she just returned from the Midwest, where everybody was wearing cookie-cutter garb purchased mainly at big generic department stores. Most local shop owners weren't surprised when the Haight Street outpost of the Gap (also a product of late-'60s San Francisco fashion, but one that wound up catering to a generic mass market) recently closed. That just wasn't what people were looking for when they came to shop on Haight Street, they felt.
"On Haight Street," she says, "everybody takes things and kind of changes it and makes it their own." Or they shop for clothing items that have been designed to look that way. "I think that the street has a very unique kind of flavor and keeps in the spirit of having your own voice and really doing things to fulfill your lifestyle and what you believe in."
Specific '60s-generation influence can be seen in McCarthy's merchandise, from nature-inspired jewelry to semi-precious stones that, she says, people still believe bring good energy into their lives like citrine for abundance or rose quartz for love.