Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Ala King

Share

  • rss

By Hiya Swanhuyser

Published on August 08, 2007 at 4:21am

Ancient Iranian heroes stand shoulder to shoulder with hip-hop superstars in Ala Ebtekar's ghostly, sure-handed line drawings. At his eponymous solo exhibit, the artist uses centuries-old motifs drawn from the culture of his parents, such as the cloud curls and flowers and sad dark eyes of traditional Iranian work. The baseball caps and sneakers, rendered no less respectfully, come from his own world: He's from around here. "I'm trying to find a visual glimpse of a crossroad where present-day events meet history and mythology," Ebtekar explains in a segment from local PBS art-TV show Spark. The result is a meditation on the "idiomatic gestures and poses," as he calls them, of both modern music scenes and long-ago wrestling gymnasiums. In those drawings the Stanford MFA student's flawless eye for line is thrown into splendid relief against sandy base colors. An interest in handwriting means Ebtekar's work gains another layer of meaning and of visual rhythm, and represents another power-meeting of antiquity and reality.
Aug. 3-Sept. 1