Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Lock and Load

Share

  • rss

By John Garmon

Published on August 22, 2007 at 4:20am

It's not hard to find aesthetic similarities between Vancouver sextet They Shoot Horses Don't They? and the 1969 Jane Fonda vehicle of the same name. The film centers on Fonda and fellow townspeople desperately trying to win the cash prize at a Depression-era dance marathon. The event lasts days, with the final contestants dragging their partners along the boards past the limits of exhaustion and sanity. The British Columbia band's brand of blown-out oompah-core, seemingly born out of similarly sleepless frenzy, could be a perfect score for those scenes. Well known for pulling out the stops live, They Shoot Horses doesn't rely on cultivating dynamics as much as atom-smashing their influences into one propulsive, shambling sonic wave. Trademark horn stabs, cream-textured guitar sustain, and a vocalist barking through snot-filled sinuses make up the band’s arsenal, but it does have its more delicate moments. Some of the tracks on its new album, Pick up Sticks, resemble the brass-infused, frayed-folk tinges of Neutral Milk Hotel, if you can imagine that band going through a disco-era, powder-on-the-console phase.
Tue., Aug. 28, 9:30 p.m.