Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Love in the Time of Cholera

Share

  • rss

By Robert Wilonsky

Published on November 13, 2007 at 4:03pm

This is easily the worst adaptation of a major novel by a Nobel Prize–winning author. Easily. Director Mike Newell (Harry Potter and the Goblet of Fire) and writer Ronald Harwood have rendered Gabriel García Márquez' novel little more than a sudsy telenovela — Lifetime by way of Telemundo. Not that the material didn't teeter and totter in that direction to begin with: The story of Florentino's 50-year crush on Fermina was always little more than a variation on Romeo and Juliet, only tinged with the flowery scent of magical realism. But there ain't a damned thing real — magical or otherwise — about this abomination, which stars a wasted Javier Bardem as Florentino and Giovanna Mezzogiorno as Fermina, who's so so-so that you'd think a fella could easily forget her after she ditches him for the doctor (played by Benjamin Bratt, who has always been a little made-for-TV anyway). From the hootworthy dialogue ("I don't need a medical lesson." "No, this is going to be a lesson in love") to the atrocious old-age makeup slathered on Mezzogiorno (but, oddly, not Bardem) to the dead rats taped to the side of Hector Elizondo's head to the overwrought cameos delivered by Liev Schreiber and John Leguizamo, the entire thing is a wreck. Unless it was trolling for sneering chuckles, in which case: Success!