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A Time to Kill
The SPCA is struggling to finance a new hospital, and one way to save money is to speed up euthanasia.
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He's No Angel
They once called him a savior who helped people in need. Today, Edwin Parada is accused of taking money from Latinos unfamiliar with real estate laws.
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To Serve & Collect
Nearly extinct and long at odds with the SFPD, the little-known San Francisco Patrol Special Police appears poised for a comeback.
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Snitch
Deanna Johnson testified against a murderer to save her son. But in the projects, truth comes at a price.
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Nonconformity Still Reigns!
The top eccentrics of San Francisco, and that's saying something.
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Disney & Deutschland
Published on February 13, 2008
Imagining the details of a historically documented 1935 meeting between Walt Disney and Adolf Hitler is a great spark for a play, but playwright and director John J. Powers' production never ignites. The 20-minute history lesson that starts the 90-minute play fails to build up the excitement before the big get-together. Once Disney and Hitler are in the same room, along with Hitler's right-hand man, Joseph Goebbels; and his personal filmmaker, Leni Riefenstahl; there is hardly any dramatic action to push the play along. There are occasionally tense moments, such as when Hitler wonders how much of a Jew-hater Disney really can be if he works in Hollywood. But most of the hour is spent sitting around a big oak table, drinking sherry, and swapping tales of German efficiency and American pluck. Powers teases us with some provocative themes, such as the true roots of Disney's fantasy playland for children, but the tease never pays off.