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The Principal Matter
Teachers said Principal Gil Cho was dictatorial. Students said he manhandled them. The school district said he was doing a good job.
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He's No Angel
They once called him a savior who helped people in need. Today, Edwin Parada is accused of taking money from Latinos unfamiliar with real estate laws.
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Nonconformity Still Reigns!
The top eccentrics of San Francisco, and that's saying something.
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A Time to Kill
The SPCA is struggling to finance a new hospital, and one way to save money is to speed up euthanasia.
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State of the Cart
Join us as we map the street food scene and find out why there aren't more vendors in this most food-involved and temperate of cities.
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National Features >
City Pages
Minnesota's Tim Pawlenty grooms himself for vice-presidential consideration--by being a jerk.
By Jonathan Kaminsky
Miami New Times
Our reporter sets out in search of a naked lunch.
By Janine Zeitlin
Broward-Palm Beach New Times
Before swinging a bat in a lesbian softball league, pick a side: gay or straight?
By Amy Guthrie
Village Voice
At JFK, Erhan Yildirim clears corpses for takeoff.
By Elizabeth Dwoskin
Jesus Built His Hotrod
Published on March 26, 2008
In the past 25 years, Al Jourgensen has been many men, including a foppish New Wave fancyboy, a twitchy fuzz-disco pioneer, a shit-kickin' cowboy punk, an industrial-metal monster, and a smacked-out basket case. With a just-completed trilogy of Bush-bashing thrash albums, he's also one of the most caustic voices of political opposition in the American music scene. But apparently Al is eyeing those Social Security bennies, because he's putting Ministry, the longest-running and most noteworthy of his numerous musical alter egos, out to pasture on a farewell-cruel-world jaunt called the C.U. LaTouR. To be sure, Ministry's heyday has already passed: though the recent trio of Dubya-dissing albums scored two Grammy nominations, Jourgensen's influence peaked with 1988's The Land of Rape and Honey, 1989's The Mind Is a Terrible Thing to Taste, and 1992's Psalm 69. By welding stainless-steel guitar riffs to Terminator-strength techno beats, he reinvented both rock and dance music and created shock waves that reverberate around the world even today. The C.U. LaTouR's two-hour-plus setlist regurgitates both these iconic stomach-punchers as well as sillier (but still bilious) material from the brand-new shits 'n' giggles covers album, Cover Up.
Tue., April 1, 8 p.m.; Wed., April 2, 8 p.m., 2008