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The Principal Matter
Teachers said Principal Gil Cho was dictatorial. Students said he manhandled them. The school district said he was doing a good job.
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He's No Angel
They once called him a savior who helped people in need. Today, Edwin Parada is accused of taking money from Latinos unfamiliar with real estate laws.
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Nonconformity Still Reigns!
The top eccentrics of San Francisco, and that's saying something.
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A Time to Kill
The SPCA is struggling to finance a new hospital, and one way to save money is to speed up euthanasia.
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State of the Cart
Join us as we map the street food scene and find out why there aren't more vendors in this most food-involved and temperate of cities.
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Jacob Fred Jazz Odyssey
Lil Tae Rides Again (Hyena)
Published on April 09, 2008
The lads comprising Tulsa's Jacob Fred Jazz Odyssey — none of whom are named Jacob or Fred — are jazz musicians of a generation for whom rock, funk, and electronica are not anathema. Core members Brian Haas (keyboards) and Reid Mathis (bass) openly acknowledge the influences of Boards of Canada, Panda Bear, and Brian Eno — their ninth disc Lil Tae Rides Again radiates that inspiration along with that of Miles Davis circa Bitches Brew/Get Up with It and Herbie Hancock's Sextant. "Tether Ball Triumph" layers shimmering, overlapping melodic fragments over hushed drum 'n' bass rhythms. The eerie "Santiago Lends a Hand" sounds like a lullaby for the postapocalypse before ominous, lurching beats come to the fore. One of the few uptempo pieces here is the dub-tinged "Discovering the Time Capsule," where sweet, nostalgic accordion sighs waft through thick, metallic piano chords — imagine Tortoise in waltz mode. Dense and surreal, Lil Tae is jazz-informed ambience that refuses drift into "background" sound.