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The Sword has been brought back in with a theme that's more H.P. Lovecraft than renaissance fair gone feral, featuring production that's cleaner while assertive. Yet Gods of the Earth is merely one unto-the-breach boogie after another, traveling through the fields of Black Sabbath and New Wave of British Heavy Metal, from Norwegian black to Blue Öyster Cult. High on Fire and Saviours have already fiercely blazed this trail. The Sword is playable, sure, but if there's to be another sequel it needs additional innovation, escalation, and equal parts mettle to metal.