Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • Houston Press

    Hate to Say We Told You So

    A year before Toyota's massive recall, we published a lengthy investigation of problems with the Prius.

    By Paul Knight

  • Miami New Times

    Sex, Drugs, Gambling--and Football

    Heading to Miami for the Super Bowl? Don't leave the hotel without our guide to vice in the Magic City.

    By Michael J. Mooney and Gus Garcia-Roberts

  • City Pages

    Life in the Blue Zone

    Daredevil Dan Buettner's latest trick? Bringing the secrets of immortality to Minnesota.

    By Erin Carlyle

  • Phoenix New Times

    The Greatest Dane

    Bigger than Shaq and proud of it, the world's tallest dog may be living in Tucson.

    By James King

Peter Morén

The Last Tycoon(Wichita/Quarterstick)

Share

  • rss

By Jonah Flicker

Published on April 29, 2008 at 11:33am

It's hard to keep a frontman happy. Today's lead singers often harbor dreams of going it alone once they gain success with their bands, from Steve Perry to Gwen Stefani to Thom Yorke. Add to this list Peter Morén, lead singer and guitarist for Sweden's whistling sensations Peter Bjorn & John. No, PB&J aren't breaking up; in fact, they're hard at work on new material. In the meantime, Morén has released a solo album of materiel he's been working on over the past several years. The result is The Last Tycoon, a jejune disc of adult-contemporary tracks masquerading as indie rock.

The Last Tycoon centers on Morén and his guitar, exemplified by the spare, mournful folk of "This Is What I Came for." His solitary singer-songwriter inclinations are indulged on the Leonard Cohen-lite "Missing Link" and "Gaze at the Sky for Long," the meditatively finger-picked closer. Opener "Reel Too Real" adds bass, a click track, synths, and a ringing bell to the mix, but all the accoutrements don't hide the fact that the romantic pop-frolic PB&J do so well is sorely missed here, replaced with a sappy sincerity. Morén is a talented songwriter, but on his own, these sensitive ruminations on youth and love are uninteresting and uninspired.