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Recent Articles
Recent Articles by Michael Fox
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National Features >
Miami New Times
South Florida's lawless exotic rental car industry keeps rolling.
By Gus Garcia-Roberts
Houston Press
In Texas, restitution for victims is nothing but a state-sanctioned sham.
By Chris Vogel
Seattle Weekly
If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.
By Jonathan Kauffman
Waking Dream
Published on June 20, 2008 at 4:22am
The demarcation between fiction and life between stories and experience grows fuzzier every day. Consider the groaning shelf of fake memoirs, not to mention lonelygirl15. The gifted young Thai filmmaker Apichatpong Weerasethakul (Syndromes and a Century) takes singular pleasure in blending fact and fable, notably in the staggering quantity of experimental shorts hes produced in the last 15 years. The two-part series Mysterious Objects: The Short Films of Apichatpong Weerasethakul provides a tasty sampling of the filmmakers range. In the captivating Worldly Desires, Apichatpong (or Joe, as his fans in the West call him) alternates between a lithe girl and her four backup singers miming a winsome pop song in the middle of the woods and a movie crew filming a drama about a pair of lovers fleeing through the same forest. Malee and the Boy pairs the apocryphal tale of a materialistic mother who ends up losing her daughter, related in text scrolling down the screen, with ambiguous footage of Bangkok street life. Joes films lend themselves to the viewers impulse to play detective and decipher seemingly random clues. They also invite you to simply get lost in someone elses dreams.
Thu., July 3, 7:30 p.m.; Sun., July 6, 2 p.m., 2008